Marilyn Monroe was a magnetic film star, but she had the potential to be a truly great stage actress. Clues in her life point to a missed chance: to escape the pressure of Hollywood and blossom as a serious thespian.
In 1955 two plays – The Torrents and Summer of the Seventeenth Doll – burst into Australian theatre. Funny and tragic in deeply Australian ways, they marked a new horizon of creative possibility.
The best Australian play ever written is revolutionary in its treatment of plot, character and language. It has a weary, sardonic perspective on war and an unheroic worldview.
The idea of a ‘canon’ changes over time and despite its elitist overtones, identifying one can be both illuminating and fun. In a new series, we nominate the best of Australian drama.
There was once a sense of excitement about creating a genuinely Australian culture and making our own way in the world. What’s happened to that optimism?
Attributing a Shakespeare work to another writer attracts plenty of critics. But an attribution specialist says his team’s decision to name Christopher Marlowe as a co-author is based on state of the art research.
We all store parts of our memory outside of our head: in our phones, our computers and our friends. In 887, Robert Lepage brings his memory to life in a gloriously intricate one-man production.
South African creative and cultural industries have taken some early steps to elevate women to leadership positions, but there is still some way to go.
Drawing on surveys and group discussions with teenage boys about their use of pornography, Gonzo provides a window into young men’s experiences that’s in equal parts funny, engaging, and confronting.
From a dancer moving against a wash of static, to a show that takes the audience hostage, Adelaide’s OzAsia Festival celebrates both high art and high energy performances.
Othello is one of Shakespeare’s most famous tragedies. But in the light of 21st-century understandings of abuse, the play is recast as a textbook case of domestic terrorism.