How to entangle the universe in a spider/web?, 2022, Tomás Saraceno. Courtesy the artist with thanks to Arachnophilia, neugerriemschneider, Berlin and Tanya Bonakdar Gallery, New York / Los Angeles.
Photo Credit: Mona/Jesse Hunniford Image Courtesy Studio Tomás Saraceno and MONA Museum of Old and New Art, Hobart, Tasmania, Australia
This new exhibition at Hobart’s Mona captures Tomás Saraceno’s collaborations with research institutes.
Installation view of T he Widows of Culloden collection, autumn winter 2006 - 07 in Alexander McQueen: Mind, Mythos, Muse on display at NGV International from 11 December 2022 - 16 April 2023. Headpieces by Michael Schmidt
Photo: Sean Fennessy
Alexander McQueen: Mind, Mythos, Muse at the National Gallery of Victoria is an important fashion exhibition that makes us consider how all the visual arts are inter-related.
Studying in London, the young artist examined the human figure, animals in the zoo and the rich cross-section of theatre life and of life on the streets.
Paul Yore: WORD MADE FLESH, installation view, Australian Centre for Contemporary Art, Melbourne.
Photograph: Andrew Curtis
Waanyi woman Judy Watson and second-generation Anglo immigrant Helen Johnson both use archival materials to explore Australia’s violent history.
Justene Williams, Australia b.1970. The Vertigoats 2021. Mixed media. Installed dimensions variable. Purchased 2021 with funds from the Contemporary Patrons through the QAGOMA Foundation.
Collection: QAGOMA. Photograph: Natasha Harth, QAGOMA
Embodied Knowledge: Queensland Contemporary Art is a celebration of women, people of colour and LGBTIQA+ artists.
Kate Harding, Carnarvon 2020 (detail). Exhibition view of D Harding with Kate Harding: Through a lens of visitation at the Chau Chak Wing Museum.
Photo: David James
From J.M.W. Turner to Yayoi Kusama, this exhibition explores 200 years of art about light.
Nakashima Harumi, born Ena City, Gifu prefecture, 1950, Struggling forms, c2005, Ena City, Gifu prefecture, porcelain, under and overglaze, 66.0 x 49.0 x 43.0 cm.
Collection of Raphy Star
Daniel Boyd’s solo exhibition Treasure Island, now at the Art Gallery of New South Wales, is a deeply political and personal interrogation of Australia’s colonial history.
Wearing edits life while Sherman imitates it, in these pieces in conversation at Melbourne’s PHOTO 2022.
Barthélémy Toguo,
The Generous Water Giant, 2022. Courtesy Bandjoun Station & Galerie Lelong & Co. Installation view, 23rd Biennale of Sydney, rīvus, 2022, Museum of Contemporary Art Australia.
Phot ography: Document Photography.
Honorary (Senior Fellow) School of Culture and Communication University of Melbourne. Editor in Chief, Design and Art of Australia Online, The University of Melbourne