By looking back at my dad’s music collection I understand more clearly that the music I listened to as a child shaped my personality, destiny and view of the world.
Protesters against racist police violence encounter police in Washington, D.C., on May 31.
Mandel Ngan/AFP via Getty Images
An ethnomusicologist traces the origins of the practice, from early 20th century ‘air conductors’ to Joe Cocker’s air riffing at Woodstock to the rise of international competitions.
The Rolling Stones performing in Hamburg during the ‘No Filter’ European tour: the band’s legacy is entwined with the pioneers of black American music.
Morris Mac Matzen/Reuters
Pinching musical phrases and stylistic approaches has always been a part of art making and can be a respectful exchange. But shallow, ill-informed appropriation only perpetuates tired stereotypes.
Ângela Ferreira’s ‘Wattle and Daub’ - performance by Selma Uamusse at ‘Old School’, Lisbon in February 2016.
Vera Marmelo
‘Bitches Brew’ and ‘Live-Evil’, two albums from Miles Davis’ electric period, have more than musicological significance. They challenge the listener to think beyond aesthetics and form.