The bright pink fabric swaying gently in the wind stands in stark contrast to the grey tones of the brutalist architectural complex.
Enzo Mari in front of his works, The Nature Series. Left is No. 1: La Mela with Elio Mari and right, No. 2: La Pera (1961).
Ramak Fazel/Danese Milano/Design Museum
The sensitivity of the exhibition’s themes, coupled with low lighting, seems to demand quiet in the space. In this silence, you hear the gentle chiming of hand-blown glass.
An installation in the Cute exhibition at Somerset House.
David Parry
Ngam dù is a form of divination in which questions are asked of large spiders that live in holes in the ground. The results of spider divination can be used as evidence in Cameroon’s courts.
Self-Portrait with Vivex One-Shot Camera by Yevonde (1937).
Courtesy of the National Portrait Gallery
Museums have pushed the narrative of Vincent van Gogh as a ‘tortured genius’ for decades, but in its 50th year the Van Gogh Museum is questioning this approach.
Yusuf Grillo contributed significantly to art and art education in Nigeria.
TY Bello/Instagram
Preminda Jacob, University of Maryland, Baltimore County
A new piece of performance art features a lookalike Ivanka Trump vacuuming crumbs. Not only is it a cutting commentary on labor and gender, but it also highlights the complicity of the viewer.
With more than 200 prints on display, Chuck Close: Prints, Process and Collaboration is one of the biggest printmaking exhibitions to be held in Australia. The whole top floor of Sydney’s Museum of Contemporary…