Hofesh Shechter’s latest contemporary dance work is not the rousing narrative its title might suggest. Its dancers inhabit a global catastrophe and then a brutal new world order.
Iranian theatre company Verbatim Theatre Group performed Manus as part of this year’s Adelaide Festival.
Mohammad Sadeq Zarjouyan
In A Man of Good Hope, an energetic cast of over 20 performers take the audience on a journey through the life of Somali refugee Asad Abdullahi.
A scene from La Reprise, director Milo Rau’s first production following the publication of his controversial ‘Ghent Manifesto’ on theatre.
Michiel Devijver
La Reprise is remarkable theatre about the murder of a gay man, Ihsane Jarfi, in Belgium in 2012.
Installation view: Quilty featuring Pancreatitis (Kenny), The Last Supper (Bottom Feeder) and Farewell virginity by Ben Quilty, Art Gallery of South Australia, Adelaide, 2019.
Photo: Grant Handcock.
Ben Quilty is the next big thing in Australian art. Will he be allowed - and will he allow himself - to explore and find his true potential as an artist?
Natalia Osipova in Meryl Tankard’s recreated Two Feet, which premiered as part of this year’s Adelaide Festival.
Regis Lansac
Acclaimed dance choreographer Meryl Tankard’s show Two Feet premiered in 1988. Now it returns to the Adelaide Festival, recreated for one of today’s most brilliant dancers.