A new work by playwright Patricia Cornelius tackles the prevalence of sexual assault in Australia’s sports culture. In The Club is engaging, poetic and relevant to our times.
French-Canadian actor Yves Jacques in Robert Lepage’s The Far Side of the Moon.
Toni Wilkinson
This Perth Festival show, soon to come to Adelaide, contemplates both the mysteries of the cosmos and one man’s inner life.
Evgeny Grishkovets in Farewell to Paper: a meditation on times past, the fears raised by the dizzying turnover of technologies and the importance of patience.
Toni Wilkinson
A engaging show at the Perth Festival is an homage to obsolete objects - pen knives, blotting paper, inkwells, the handwritten letter, telegrams - and a meditation on time.
Julie Hale (left) and Joshua Jenkins in The Curious Incident of the Dog in the Night-time, an adaptation of Mark Haddon’s novel.
Brinkhoff/Mögenburg.
My Name is Jimi is the story of actor Jimi Bani told by four generations, in three languages, drawing on multiple cultural and theatrical traditions.
Maura Tierney (second from left) plays Germaine Greer, Scott Shepherd (far left) and Ari Fliakos (second from right) both play Norman Mailer, and Greg Mehrten as Diana Shilling (far right).
Prudence Upton
The Town Hall Affair is a recreation of a 1971 debate between Germaine Greer and other feminists and Norman Mailer. It feels exceptionally prescient in 2018.
Elaine Cromby and Ursula Yovich in Barbara and the Camp Dogs.
Brett Boardman
Barbara and the Camp Dogs transformed Sydney’s Belvoir Theatre into a pub gig. But what started as a comedy became a searing tragedy about Australia’s inability to listen to Indigenous people.
Muriel Heslop stole Australia’s heart when she debuted on screen in 1994. Now she gets a loving, ABBA-filled musical tribute, that is definitely not terrible.
Sophia Forrest as Eli in Let the Right One In.
Photo credit Daniel J Grant
Germinal has the intentional naivete of a long brainstorm, made concrete with stage props, music and projection, but it rumbles through some incredibly sophisticated concepts.
Nicci Wilks and Susie Dee in Caravan.
Tim Grey Photography
Caravan tells the tale of a mother and daughter who live in a caravan. Staged in the Malthouse Theatre’s forecourt, it is a sweet look at class and gender.
Joelistics (left) and James Mangohig in In Between Two.
WilliamYang
Australian rapper Joelistics and producer James Mangohig bring their family histories to the stage through a breathtaking display of beats, raps and storytelling.
Taylor Mac performs in The Inauguration at the Melbourne Festival.
Jim Lee
The Rover begins with 17th-century playwright Aphra Behn inviting those who don’t like the idea of a female writer to fuck off, setting the tone for a hilarious and utterly relevant romp through Naples.
Cameron Goodall in The Sound of Falling Stars at the Adelaide Cabaret Festival.
Damian Bennett
The Sound of Falling stars brings 31 male singers who died young, including Sid Vicious, Jim Morrison and Jeff Buckley, back to life, and forces us to question our role in their fates.
Elizabeth Esguerra, Belinda McClory and Ming Zhu Hii in Revolt. She Said. Revolt Again. at Melbourne’s Malthouse.
Pia Johnson
‘Well behaved women seldom make history,’ wrote historian Laurel Thatcher Ulrich, and Revolt. She said. Revolt again. at Melbourne’s Malthouse Theatre takes the idea to its apocalyptic extremes.
Ben Hall and Tim Draxl in Only Heaven Knows
Robert Catto
Queer life thrived in 1940s Sydney despite policing and prohibition, as a new production of the musical Only Heaven Knows demonstrates. But it was not to last.