Arthur Jafa, Love is the Message, The Message is Death (video still), 2016, single-channel digital video, colour, sound, 7min 25sec. Courtesy the artist and Gladstone Gallery, New York.
Love Is the Message, the Message Is Death is undeniably rousing; a love song to identity as an unrestricted thing, capable of being motivated by awe and rebellion.
A harrowing portrayal of banal evil, a nuanced look at black fiction, a historically accurate TV series, a story about the power of love and a seriously cute exhibition.
The sensitivity of the exhibition’s themes, coupled with low lighting, seems to demand quiet in the space. In this silence, you hear the gentle chiming of hand-blown glass.
Fairy Tales focuses on how artists, designers and filmmakers have taken inspiration from fantasy motifs, adapting the fairy tale vocabulary of extremes to their own artistic needs.
PUMA X RIME NYC Luxe Sky Wedge (2013), Ed Reeve, Design Museum London.
London-based experiential art collective Marshmallow Laser Feast’s Works of Nature is clearly in the business of knowledge transfer: it tells, it doesn’t ask.
Vincent Namatjira, a Western Arrernte artist, is Albert Namatjira’s great-grandson. His genre is portraiture, but with a twist: loaded with satire and post-colonial politics.
Vasily Kandinsky, Painting with white border, May 1913. Oil on canvas, 140.3 x 200.3 cm. Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection, by gift, photo courtesy Solomon R. Guggenheim Foundation.
Vasily Kandinsky (1866-1944) was a pioneer of abstract art. His paintings have not aged and appear contemporary and relevant to us now.
Installation view of Patrick Pound’s People who look dead but (probably) aren’t 2011–2014 on display in Photography: Real & Imagined at The Ian Potter Centre: NGV Australia from October 13 2023 – February 4 2024. Photo: Lillie Thompson.
Photography: Real and Imagined at the National Gallery of Victoria can be interpreted as an attempt to make sense of photography’s history.
Hrafntinna (Obsidian), 2021, Jónsi. Courtesy of the artist and Tanya Bonakdar Gallery, New York/Los Angeles.
Photo Credit: Mona/Jesse Hunniford Image Courtesy Museum of Old and New Art, Hobart, Tasmania, Australia.
Pandemic restrictions prevented Jónsi (frontman of Sigur Rós) from experiencing firsthand the eruption of Fagradalsfjall, Iceland. He made this work in response.
Hoda Afshar is one of Australia’s most significant photo media artists. A Curve is a Broken Line at the Art Gallery of New South Wales is her first major survey exhibition.
Atmospheric Memory by Rafael Lozano-Hemmer, Cloud Display (2019).
Photographer, Zan Wimberley @zanwimberley
This new show at the Powerhouse Museum reflects the chaos of the digital world and the ubiquity of digital tracking.
Raphaela Rosella with Dayannah Baker Barlow, Kathleen Duncan, Gillianne Laurie, Tammara Macrokanis, Amelia Rosella, Nunjul Townsend, Laurinda Whitton, Tricia Whitton, and family, You’ll Know It When You Feel It, 2011–2023. Installation view, Institute of Modern Art, Brisbane, 2023.
Photo: Louis Lim.
In You’ll Know It When You Feel It at the Institute of Modern Art, Raphaela Rosella and her co-creators have sought to reclaim and counteract the narratives formed by state records.
Honorary (Senior Fellow) School of Culture and Communication University of Melbourne. Editor in Chief, Design and Art of Australia Online, The University of Melbourne