Ben Quilty, Australia, born 1973. Margaret Olley 2011. Oil on linen / 170.0 x 150.0 cm.
Collection of the artist. Courtesy the artist. Photograph: Mim Stirling
Margaret Olley was known not only for her paintings, but her generosity. An exhibition of her work is currently on in Brisbane, alongside a survey of the work of Ben Quilty, her mentee and friend.
Mella Jaarsma, The landscaper 2013, costume: wood, paint, iron and leather, single-channel video: 3:40 minutes, colour, sound.
National Gallery of Australia, Canberra. Purchased 2018. Photo by Mie Cornoedus
The exhibition Contemporary Worlds: Indonesia has many wonderful works. But it is an exception - despite our close proximity, there are few opportunities for Australians to engage with Indonesian art.
Arthur Loureiro, Study for ‘The spirit of the new Moon’ 1888, oil on canvas.
Queensland Art Gallery | Gallery of Modern Art, Brisbane Purchased 1995. Queensland Art Gallery Foundation Grant with the assistance of Philip Bacon through the Queensland Art Gallery Foundation. Celebrating the Queensland Art Gallery's Photograph: QAGOMA
50 years after Apollo 11, a new exhibition considers artistic responses to our celestial neighbour. As we retreat from human space exploration, our relationship to the moon has become virtual.
Photographs of tattooed Japanese women in the exhibition Perseverance: Japanese Tattoo Tradition in a Modern World.
An exhibition at Melbourne's Immigration Museum explores tattoo traditions from Samoa, Japan and Melbourne, telling stories of culture, tradition and migration.
Dallas Dellaforce, Queer Central, Imperial Hotel, Erskineville, 2018. ‘Queerdom’ presents an archive of queer and trans life in Sydney.
Queerdom, an exhibition of photography and poetry, presents a history of queer and trans performance in Sydney that challenges recent narratives about queer life in Australia.
Tudors to Windsors: British Royal Portraits, exhibition view.
Bendigo Art Gallery
A new exhibition illustrates the British monarchy's transition from global powerhouse to modern celebrities. But idolised images reign.
Marcel Duchamp, ‘From or by Marcel Duchamp or Rrose Sélavy (Box in a valise)’ 1935-41, 1963-65 (contents); Series F, 1966 edition, mixed media, 41.3 x 38.4 x 9.5 cm Philadelphia Museum of Art, gift of Mme Marcel Duchamp, 1994-43-1.
© Association Marcel Duchamp/ADAGP. Copyright Agency, 2019
Some 50 years after his death, a major exhibition at the Art Gallery of New South Wales shows why the work of Marcel Duchamp continues to challenge the very idea of what art may be.
Song dynasty 960–1279 Feng Dayou (active mid 12th century) ‘Taiye lotus pond’, album leaf, colours on silk.
23.8 x 25.1 cm. National Palace Museum, Taipei
Photo: © National Palace Museum, Taipei
The first major loan to Australia from a repository of canonical art works of Chinese culture deserves to be seen by all those interested in Chinese art.
Paul Signac, ‘Leaving the Port of Marseille’ 1906/7 oil on canvas, 46 x 55.2 cm, The State Hermitage Museum, St Petersburg, Inv GE 6524.
Photo: © The State Hermitage Museum 2018, Vladimir Terebenin.
In the early 20th century, two families of collectors brought the best of modern French art to Russia. Many of their paintings - including works by Picasso, Matisse and Cezanne - can now be seen in Sydney.
Salvador Dalí (Spanish, 1904–1989), The Persistence of Memory, 1931, Oil on canvas, 9 ½ x 13" (24.1 x 33 cm).
The Museum of Modern Art, New York. Given anonymously © 2016 Salvador Dalí, Gala-Salvador Dalí Foundation / Artists Rights Society (ARS), New York
All of the big names are present in this show – from Vincent van Gogh, Pablo Picasso and Frida Kahlo to Roy Lichtenstein and Cindy Sherman – and represented by some of their best-known work.
Kindred 2017, Silicone, fibreglass, hair, Ed. 1 of 3, 103 x 95 x 128cm.
Courtesy the artist, Tolarno Galleries, Melbourne; Roslyn Oxley9 Gallery, Sydney; and Hosfelt Gallery, San Francisco.
Natasha Harth, QAGOMA.
Part human, part animal, Patricia Piccinini's sculptures are uncannily familiar, yet alarmingly other. A major new exhibition creates a parallel universe in which viewers can encounter her work.
Installation view of Del Kathryn Barton: The Highway is a Disco at the Ian Potter Centre: NGV Australia, 17 November 2017 – 12 March 2018.
Photo: Tom Ross © Tom Ross
The paintings in Del Kathryn Barton's new show at NGV Australia are visually stunning and painstakingly executed. But the women depicted are often de-personalised objects or headless cauldrons of destructive passion.
Installation view Versus Rodin: bodies across space and time.
Art Gallery of South Australia, 2017
The Art Gallery of South Australia has created something special with Versus Rodin. Works by 65 contemporary artists, surrounded by the gallery's Rodin collection, take on a wonderful glow.
An exhibition installation view of Adman: Warhol Before Pop at the Art Gallery of New South Wales.
ll artworks from The Andy Warhol Museum, Pittsburgh © The Andy Warhol Foundation for the Visual Arts, Inc/ARS
Andy Warhol not only drew brands, he became one. A new exhibition in Sydney sheds light on his early career in advertising.
Helen Britton in her studio in 2015.
An internationally renowned jeweller, now based in Germany, Helen Britton is inspired by the landforms of Western Australia. A new exhibition of her work is captivating.
John Sebastian performing at Woodstock © Henry Diltz Corbis
The V&A’s current exhibition, Revolution, highlights that all is not rosy from the vantage point of 2016.
Detail from Shenae & Jade, 2005, Petrina Hicks.
Courtesy of the artist and THIS IS NO FANTASY + dianne tanzer gallery, Melbourne and Michael Reid, Sydney
A new exhibition exploring the relationship between birds and humans is variously gaudy, delightful and disturbing. We sent two ecologists along to review the show.
Halfway to the light, halfway through the night 2010-14, by Jumaadi.
© AGNSW, Felicity Jenkins
The Dobell is a celebration of drawing. And the work in this year's show, from Noel McKenna's beautifully rendered drawings of dogs to Richard Lewer's depictions of states of mind – is first rate.
The exhibition includes the kind of art not held in any Australian collection.
Sir Edwin Landseer, Rent-day in the wilderness, 1868. Trustees of the National Galleries of Scotland
Anyone who has even a passing interest in art exhibitions or how culture can define a country should allocate a good few hours to contemplating these riches from the National Galleries of Scotland.
Popular in the 18th century were events at which mummies were dissected by doctors and passed around the audience to be touched, smelt and tasted. Mummymania installation view.
Egyptian mummies have fascinated Europeans since the 5th century, but a new exhibition considers the more recent role they have played in medicine, art and popular culture – and the ethics of their display in museums.