As revenge films go, Australian writer-director Jennifer Kent’s The Nightingale is watchable if uninspired. Perhaps the most interesting aspect of the film is the controversy surrounding the violence it depicts.
What makes the Dilan series unique is that it provides Indonesia’s young audiences, who were born in the 1990s, with a window on urban youth in Bandung during Soeharto’s New Order regime.
We have robots that can walk and run but still a long way to go before the technology matches the cybernetic skills in the new science fiction film Alita: Battle Angel.
Trailblazing US Supreme Court Justice Ruth Bader Ginsburg is known to many as the ‘Notorious RBG’. But the new film On the Basis of Sex is a muted portrayal of her.
While queer movies don’t necessarily have to be made by queer filmmakers, Boy Erased is a safe film. It is finely made albeit heavy-handed in its melodrama.
Venom is an engrossing science fiction film, which balances intense action sequences with disarming humour. Viewing it in 4DX, however, did not add to the experience.
Zanny Begg’s film The Beehive, about the 1975 murder of Juanita Nielsen, dismantles the idea that documentaries can impart unequivocal knowledge about the world.
Scientists and soldiers deal with alien invaders in the new Predator movie, but how does the science stack up? With brains and brawn you’d think they’d know how to keep an alien tied down to a table.
Crazy Rich Asians is an entertaining film, but also has been a long time coming. The struggle for Asian representation in Hollywood and Broadway started more than 55 years ago.