Gothic texts are not all bloodsucking vampires and howling werewolves. An Australian Gothic tradition took root alongside colonisation, influencing writers from Marcus Clarke to Alexis Wright.
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In a new adaptation of the classic Australian novel, the story of masculinity and despair in the outback is told through a female voice.
At the centre of the novel Coach Fitz is Tom, an anti-hero whose unintentionally humorous voice drives the narrative. Tom is an awkward everyman, a naïve Don Quixote, a digressive Tristam Shandy.
The omniscient narrator is alive and well in fiction. Kim Scott’s most recent novel uses a collective narrative voice that encompasses the landscape as well as the human.
True crime-related storytelling has shrugged off its former low-brow baggage. Two recent Australian books show how victims’ stories can be told sensitively and humanely.
It is rare to have a new production of an Australian opera - a vivid new performance of The Children’s Bach was refreshing to see.
In her fragmentary family memoir, Cynthia Banham interweaves narratives of war and migration with her own traumatic plane crash - ultimately reclaiming her identity in the process.
Stephanie Bishop’s latest novel demonstrates a sophisticated approach to the relationship between time and narrative: novelists and aspiring writers would do well to look closely at her achievement.
Part memoir, part investigation, Leigh Sales’s recent book Any Ordinary Day provides rare insight into the journalistic craft.
Les Murray’s signature style was a potent mix of ordinary language, specialist vocabulary, and eccentric syntax. His poetry made us see things anew.
A new anthology collects the voices of 35 contributors on #MeToo in Australia. The book wades into all the difficult areas, from sexual assault to the culture that enables it.
Debut memoir The Erratics possesses a rare honesty, exploding socially sanctioned ideas about mothers and families.
The six books shortlisted for this year’s Stella prize cover diverse subject matter and make risky aesthetic choices; they are serious and thoroughly unsentimental.
A new play tells the story of George Johnston and Charmian Clift’s time on the Greek island of Hydra, which ultimately led to the novel My Brother Jack - but not without sacrifices.
Kangaroos are a national icon, but Australian authors seem determined to kill them off.
Scientists can be under-appreciated in Australian culture. Here are eight great fictional scientists to get you thinking about labs, test tubes and bold experiments.
The final instalment to the Rosie Project trilogy points to greater awareness about neurological differences such as autism.
While tourism campaigns often portray the beach as an idyllic, isolated haven, many of our beach stories depict it as a darker, more complex place. Here are ten worth reading.
This award to a long neglected writer shows that there is still a place in Australian life for works of art that challenge us to think.
Kim Scott, whose novel Taboo is shortlisted for the 2018 Miles Franklin award, circles around colonial violence in his work.
Principais colaboradores
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Executive Dean (interim) Faculty of Arts and Design, University of Canberra
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Associate Professor in Media, University of Notre Dame Australia
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Dean of Research (Creative), University of South Australia
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Professor, Chair of Australian Literature, The University of Western Australia
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Associate Professor in Literary Studies, RMIT University
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Senior Lecturer in English Literature, Charles Sturt University
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Associate Professor of English, Australian National University
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Associate Professor in Literary Studies, Monash University
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Professor of English Literature, University of Southern Queensland
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Emeritus Professor of Creative Writing, The University of Melbourne
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Senior Lecturer, Literature and Gender Studies, Victoria University
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Associate Professor, Writing and Literature, University of Tasmania
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Lecturer, Creative Writing, UNSW Sydney
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Senior Lecturer in Creative Writing, RMIT University
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Emeritus Professor of Australian Literature, University of Sydney
