Katy O’Brian and Kristen Stewart in Love Lies Bleeding.
Courtesy of A24
This chaotic queer romance thriller is at once absorbing and repulsive.
(L-R) Adil El Arbi, Sofia Coppola and Quentin Tarantino.
Photographs by Kathy Hutchins/Lev Ravin/Featureflash/Shutterstock
For every film that makes it to our screens, hundreds if not thousands fail to make it.
Indigenous media makers are successfully gaining more control over their storytelling. Here Dallas Goldtooth and Jana Schmieding as Nelson Renville and Reagan Wells in the sitcom, ‘Rutherford Falls.’
(Goldtooth Schmieding/Peacock)
Indigenous media have rapidly expanded over the last 30 years with Indigenous media makers gaining greater control of their narratives.
(L–R) Mike Faist as Art, Zendaya as Tashi and Josh O'Connor as Patrick in Challengers.
Metro Goldwyn Mayer Pictures
The Challengers fuses sex and sport to explore our competitive instincts.
Alisha Weir as Abigail.
Universal Studios
Though she appears to be a child, we soon learn Abigail is centuries old, and has developed a habit for ‘playing with [her] food’
Netflix
The Homelessness World Cup is a real tournament that has helped hundreds of people all around the world.
Daisy Ridley in Sometimes I Think About Dying.
Vertigo Releasing
Fran (Daisy Ridley) has a complex and creative inner world that she escapes into in order to feel real.
Focus Features
The film leans too heavily on the tabloids’ damaging visual narrative instead of venturing to create its own.
Clara Bow appeared in 58 films in just over a decade.
John Kobal Foundation/Getty Images
The star of the 1920s silver screen who appears on Taylor Swift’s new album abruptly left Hollywood at the height of her success – a middle finger to the men whom she had made rich and powerful.
Arnold Schwarzenegger in The Terminator (1984).
TCD/Prod.DB / Alamy Stock Photo
POV shots can be extremely effective, presenting an entirely new way of looking at a character, or their motivations.
Marisa Abela as Amy Winehouse.
Landmark Media/Alamy Stock Photo
While Back to Black succeeds in avoiding harmful representations of addiction, viewers don’t get a deep insight into its realities and complexities.
Hideko Takamine as Carmen in Carmen Comes Home (1951).
Shochiku Ofuna Studio/Wiki Commons
One hundred years after her birth, Hideko Takamine’s films deserve to be more widely seen outside Japan
Godzilla and Kong in Godzilla x Kong: The New Empire.
Warner Bros. Pictures
The MonsterVerse is a slick, well-defined giant monster mythos that has further globalised Godzilla – and King Kong along with him.
Jake Gyllenhaal in Road House.
Everett Collection Inc/Alamy Stock Photo
If you like action films, and you have your tongue firmly in your cheek, then you’ll probably like this.
Khak/Shutterstock
I have spent the last two years researching the cultures and practices of cinema-going. Here’s what people tell me.
(L-R) Margaret Qualley, Benedict Wong, Zine Tseng and Geraldine Viswanathan.
Focus features/Netflix
Our top picks of the best films, TV shows and exhibitions to see this week.
Kate Winslet and Jim Carrey in Eternal Sunshine of the Spotless Mind.
AJ Pics/Alamy Stock Photo
This quirky, nebulous, joyous then rueful story is not for those who like their love stories simple.
Credit Ian Routledge. Copyright Lot Film Pty Ltd
For its many strengths, the film may divide audiences with its chaotic, surreal final act.
Oscar wins through the years: 1. Hattie McDaniel, best supporting actress with Fay Bainter, 1940. 2. Whoopi Goldberg, best supporting actress, 1991. 3. Halle Berry, best actress, 2002. 4. Jennifer Hudson, best supporting actress, 2007. 5. Mo'Nique, best supporting actress, 2010. 6. Lupita Nyong’o, best actress, 2014. 7. Octavia Spencer, best supporting actress, 2012. 8.Viola Davis, best supporting actress, 2017 9. Da'Vine Joy Randolph, best supporting actress, 2024.
(AP | Oscars | Shutterstock)
It’s been nine years since #OscarsSoWhite called out a lack of diversity at the Oscars. Has anything changed? Prof. Naila Keleta-Mae and actress Mariah Inger unpack the progress.
The Artdocfest president Vitaliy Manski (back left) and the jury (L-R): Polish historian and journalist Adam Michnik, Latvian theatre director Viesturs Kairišs and Russian actress Chulpan Khamatova.
ArtDocFest Riga
Artdocfest 2024 was a showcase for films that show the reality of the war in Ukraine, and the spread of Russian politics to neighbouring countries.