Although they work in different genres, a similar sense of restraint imbues the work of each.
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A youth-focussed exhibition about experiences of mental health is interactive and expansive, kicking down the barriers between science and art.
I’m a keen doodler who turned a hobby into a PhD and then a career. I’ve also seen what hurdles people face when it comes to learning to draw and how they can be overcome.
Jeffrey Smart is admired for his carefully structured paintings of Tuscany and Rome. This National Gallery of Australia’s centenary celebration of his birth takes the viewer back to Adelaide.
Wilam Biik (Home Country) at TarraWarra offers a different way to look at Country. Not by the roads we travel, but by the relationships embedded in it.
Margel Hinder was responsible for some of Australia’s most significant public sculptures in the 1960s and 70s. A major exhibition now examines the totality of her career.
Claire Roberts new book on Ian Fairweather looks at the influence of China on his art and ideas, and concludes the ‘Australian artist’ was free of any national allegiance.
A new exhibition featuring works by16 women artists who share backgrounds in Islam is a tour de force.
Yusuf Grillo charted a path in African art and enabled the emergence of more artists.
A new exhibition at Flinders University Art Gallery highlights Barbara Hanrahan’s sensory spirit, celebrating nature and unbinding social constriction.
A special gallery in London’s Kew Gardens allows the visitor to travel the world via the 800-plus detailed paintings of Marianne North, Victorian-era adventurer and botanical artist.
Australia’s love and rediscovery of terrazzo floors form the foundation for a new exhibition.
Australian surrealism has long been understood as if it was imported from Paris. This new exhibition places two Czech-Australian émigrés at the heart of the movement.
This ancient myth, in which a nymph transforms herself into a tree to escape the lustful attention of the god Apollo, has inspired countless retellings in art. Its themes resonate today.
The once secret paintings of Hilma af Klint are a revelation both for their beauty and for highlighting the impact of spiritualism on how artists see the world.
In its centenary year, the Trustees of the Art Gallery of New South Wales could not resist the symbolism of awarding the Archibald Prize to Peter Werner’s portrait of the 100 year old Guy Warren.
It takes time and money to create large scale sculptures. A new exhibition of works in cast concrete is testament to a remarkable philanthropic project.
ACMI’s first feature exhibition since its redevelopment shows fans the complex artistry behind their childhood favourites.
With 350 artworks created by 320 Indigenous artists who are in or recently released from prison, The Torch is making a difference to how people are seen and how they see themselves.
The new HOTA Gallery, with its colourful organic facade and exciting exhibitions, happily refutes popular images of the Gold Coast.
Principais colaboradores
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Honorary (Senior Fellow) School of Culture and Communication University of Melbourne. Editor in Chief, Design and Art of Australia Online, The University of Melbourne
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Honorary Professor, Edith Cowan University
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Adjunct Professor of Art History, Australian National University
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Professor in Art, Curtin University
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Senior Lecturer of art history, Griffith University
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Senior Industry Fellow, RMIT University
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Honorary Senior Lecturer, Australian National University
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Honorary Lecturer, School of Literature, Languages and Linguistics, Australian National University
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Emerita Professor, Art History and Curatorship, University of Adelaide
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Author and Research Fellow, UNSW Sydney
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Associate Professor at UNSW Art & Design, UNSW Sydney
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Senior Research Fellow, Victorian College of the Arts, The University of Melbourne
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Lecturer in Interdisciplinary Creative Practice, University of Tasmania
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Visiting Researcher in Journalism, Media and Cultural Studies, Cardiff University
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Lecturer in Screen and Cultural Studies, The University of Melbourne
