Amid the uncertainty and pain in the world magnified by COVID-19, puppeteers and jesters get away with telling hard truths and inciting cathartic laughter.
Steven Oliver’s Bigger and Blacker, which premiered at the Adelaide Cabaret Festival, calls for more engagement between Indigenous and non-Indigenous Australians.
Claudio Raschella
Victoria Opera’s ‘Tis Pity brings a litany of harlots to the stage, but doesn’t give its female lead many characters to play with. Indeed it risks capitulating to the very 'male hypocrisy’ it seeks to address.
Kurt Weill and Bertolt Brecht’s last collaboration The Seven Deadly Sins, first performed in 1933, in circumstances not dissimilar than those we face today. Pictured: Meow Meow.
Victorian Opera
Victorian Opera this week stages The Seven Deadly Sins, the final collaboration between Kurt Weill and Bertolt Brecht. First staged in 1933, it is a masterpiece by two of the most revolutionary artists of Weimar Germany.
Mama Alto performs the songs of Sarah Vaughan at the Melbourne Fringe Festival.
Lauren Connely/Flickr
In their 2014 Melbourne Fringe Festival performance Mama Alto and her musical director Tiffani Walton pay tribute to Sarah Vaughan, one of the great ladies of American song. Mama Alto charmed her audience…
Lecturers: you can learn a lot from Freddie Mercury.
Steve Mann
Can you imagine attending a lecture on, say, string theory and finding that the lecturer was actually explaining this complex scientific concept using his own words – sung to the tune of Queen’s Bohemian…