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Articles on Visual art

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The children of the wealthy know that mainstream culture belongs to them. urbanartcore.eu

Rise of Indigenous art speaks volumes about class in Australia

The Conversation is running a series, Class in Australia, to identify, illuminate and debate its many manifestations. Here, Joanna Mendelssohn examines the links between Indigenous art and class. The great…
Gerrit Fokkema’s photographs of everyday Sydney and Canberra in the early 1980s are examples of Australian photography becoming more self-aware. These decisive snapshots of suburban life reveal an irony and conjure Fokkema’s own history growing up in Queanbeyan. Though captured in seemingly banal settings, the images intrigue, pointing to issues beyond what is represented in the frame. The housewife watering the road and a young tattooed man in front of a car are both depicted alone within a sprawling suburban landscape, suggesting the isolation and boredom in the Australian dream of home ownership. The sense of strangeness in these images is consciously sought by Fokkema, aided by his embrace of the glaring and unforgiving ‘natural’ Australian light. Purchased 1986 © Gerrit Fokkema

Australian Vernacular Photography offers a look at our reality

Opening this week, Art Gallery NSW’s latest exhibition, Australian Vernacular Photography, explores the Australian photographic landscape of the late 20th century. Hal Missingham, photographer and director…
French artist Virgile Ittah poses with her wax sculpture titled ‘Dreams are guilty, absolute and silent by fire’. Andy Rain/EPA

But is it any good? On art, audiences and evaluation

A spectre of evaluation is haunting the arts. The relationships between artists and their audiences are being mediated by an ever-more complex system that determines the value of art. It’s a system driven…
PERKS AND MINI, Melbourne (PAM) (fashion house) Australia est. 2000. Misha HOLLENBACH (designer) born Australia 1971 Shauna TOOHEY (designer) born Australia 1976 Black Gold 2013 spring summer 2013 (still) Collection of the artists. Max Doyle

Are Perks and Mini ripping off or riffing off African culture?

An exhibit by the Australian fashion company Perks and Mini (PAM) on display at the National Gallery of Victoria (NGV) as part of its Melbourne Now exhibition has been accused of expropriating and exploiting…
Street and graffiti artists such as Ash Keating are recognised in Melbourne Now – in and out of the galleries. NGV

Melbourne Now – the art of the contemporary city

The National Gallery of Victoria (NGV) in Melbourne recently opened what may be its most ambitious exhibition: Melbourne Now, on display until March 23 2014. It features hundreds of works selected by 30…
“Stranger Visions” is a series of 3D printed portraits based on genetic material taken from public places, by Heather Dewey-­Hagborg. Image courtesy of the artist

Trace Recordings: surveillance, art and identity in the 21st century

“We know where you are. We know where you’ve been. We can more or less know what you’re thinking about.” These aren’t lines from Nineteen Eighty-Four but the words of Eric Schmidt, Google’s notoriously…

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