Oscar winning film CODA has shone a light on what accessibility and representation for the deaf community means on film and TV.
While you’ll often hear people say that violence is never the answer, in some communities violence is viewed as a perfectly reasonable response to personal slights.
Until Black women can wear their hair how they want without risk of ridicule, reprimand or termination, a joke targeting Black hair is no laughing matter.
In this special edition of ‘Don’t Call Me Resilient,’ we chat about how “the slap heard around the world” is part of a layered story of racism, sexism, power and performance.
It’s refreshing to see disabled actors in disabled roles, but can’t the academy acknowledge films that highlight disability without falling into stereotypical representations?
Critics who are irritated by a lack of an apparent villain in ‘Encanto’ need to take a closer look at the effects of colonial displacement.
There are not many strong contenders for Best Picture at this year’s Academy Awards. Our expert picks his winner and names a couple of blockbusters that didn’t make the grade.
Narrative gaps and atmospheric touches in Jane Campion’s masterful neo-western draw viewers in to piece together connections.