Ayanna Lloyd Banwo’s debut novel, When We Were Birds, is a lyrical love story with its roots firmly in the narrative tradition of anglophone Caribbean writing.
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Mala, a Polish Orthodox Jewish woman, escaped the Warsaw ghetto early in the second world war and survived by passing as a Catholic. A new book tells her story.
Chokepoint Capitalism is a dark portrait of a cultural system where monopolies and monopsonies predominate to the detriment of artists.
Mandela, the first president of a democratic South Africa, made big strategic choices – not necessarily the right ones, but certainly ones that were befitting of the times.
In Dreamers and Schemers, the activities of male political elites take precedence over other social movements.
George Saunders has described short stories as ‘thrill-producing machines’, but his latest collection is hit and miss.
With its lovingly rendered characters and sharp aphoristic prose, Sweeney and the Bicycles is a study in radical self-absorption.
The latest novel by twice Miles Franklin winner Alex Miller traces one woman’s journey from self-absorption and isolation, to generosity and friendship.
Robbie Arnott’s third novel, Limberlost, is an exquisitely written tale of human and ecological destruction, with a thread of hope.
Tracey Lien’s debut novel investigates a murder of a model student in a Cabramatta restaurant. Anh Nguyen Austen says it brilliantly conveys the complexities of the Vietnamese refugee experience.
Jessie Cole’s memoir traces a love affair: a long-distance relationship with an unnamed, older lover. It’s set against layers of thinking about love, desire, bodies and ecological disaster.
He is the heir-apparent of a global media empire, but how much to we really know about Lachlan Murdoch?
In Emperors in Lilliput, Jim Davidson examines legacy of Clem Christesen and Stephen Murray-Smith.
It’s the 20th anniversary of Best Australian Political Cartoons – and it has been quite a year. From Putin to Dutton to Albanese, our cartoonists have been hard at work skewering the powerful.
The Unfolding is fiction: a made-up story of American politics. But just like in the real United States, the lines between truth and fantasy in this novel are perilously thin.
Donald Trump likes books about as much as he does germs, but more than 100 have been written about him. Journalist Maggie Haberman conducted 250 interviews for hers, including three with Trump.
The mountain climbing industry has transformed the lives of the Sherpas – both for good and bad. A new book focuses on their lives and deeds.
Ian McEwan has forged his own genre – crisply realist surfaces mixed with sudden excursions into the darkest corridors of the mind. In Lessons, the central character reveals a writerly consciousness.
Major plot points explode like hand grenades in Adrianne Howell’s Hydra, which is ‘never dull’, but implausible. And Alice Nelson’s Faithless, about love and literature, operates in a rarefied world.
Nights of Plague is set on a fictional island in the early 20th century. Is it an allegory of empire’s fall; a contemplation on corruption and East-West tension or a reflection on pandemic life?
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Executive Dean (interim) Faculty of Arts and Design, University of Canberra
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Associate Professor in Media, University of Notre Dame Australia
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Professor, Chair of Australian Literature, The University of Western Australia
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Adjunct professor, University of Technology Sydney
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Senior Lecturer, Writing, Department of Media and Communication, Swinburne University of Technology
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Political Scientist, University of the Western Cape
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Professor of English Literature, University of Southern Queensland
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Emeritus Professor of Creative Writing, The University of Melbourne
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Matthew Ricketson est un·e ami·e de La Conversation
Professor of Communication, Deakin University
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PhD Candidate, School of Culture and Communication, The University of Melbourne
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Professor of Psychology, The University of Melbourne
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Deputy Director, Institute for Ethics, Governance & Law, Griffith University
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VC Fellow, La Trobe University
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Professor of Conservation Biology, Charles Darwin University
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Senior Lecturer, School of Humanities and Social Sciences, Deakin University
