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Articles sur Photography

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When we’re flooded with images, how much of their content do we retain? Penelope Umbrico, '541,795 Suns from Sunsets from Flickr (Partial) 01/23/06,' 2006-ongoing, detail, 2500 4 inch x 6 inch c-prints. Courtesy Mark Moore Gallery and Bruce Silverstein Gallery.

Exposed to a deluge of digital photos, we’re feeling the psychological effects of image overload

Snapping and sharing photographs has never been easier. But being inundated with images can have a host of unintended consequences, from heightened anxiety to impaired memory.
The NGV’s summer blockbuster packs a double whammy. © Ai Weiwei; Andy Warhol artwork © 2015 The Andy Warhol Foundation for the Visual Arts, Inc./ARS, New York. Licensed by Viscopy, Sydney.

Andy Warhol – Ai Weiwei: the American and Chinese centuries meet in Melbourne

The NGV’s summer exhibition is curated to create a dialogue between Ai Weiwei and Andy Warhol, and this conversation operates on multiple levels on a variety of themes, and across time and space.
Parke raises important questions about whether humanism is desirable or even possible in photography today. Exhibition space, Monash Gallery of Art.

The camera is god: photographer Trent Parke grapples with an impossible humanism

The title of Parke’s current exhibition alludes to a 19th-century faith in the camera’s mechanical vision as superior to human vision – while also complicating that assumption for modern viewers.
Many of us expect, almost demand, to live a long life, in good health. Many of us won’t. Djuliet

Memento Mori – remember that you have to die

We have – in some of the world – sanitised death, but the custom of post-mortem photography reminds us death is closer to us than we might like to think. This article contains images of dead people.
Cleverly doctored images of the effects of Sydney’s April storms amused social media users – but hoax images have a much longer history. Todd Lopez/@Creative_Order

From epic storm pics to fairies in the garden, be careful with images

The adage that the camera doesn’t lie is, of course, a lie, as a long history of hoaxes amply demonstrates. And yet we can still be duped by tricksters. We should remain vigilant.
After witnessing the rise and fall of many empires, the ancient site of Palmyra is under threat from Islamic State. Phillip George

Islamic State may finally efface the traces of lost empires at Palmyra

Conflict involving Islamic State has raised the prospect of the destruction of Palmyra, a World Heritage site in Syria. It’s not the first time the region has been invaded, but it may well be the last.
Australian newspaper photographers have always been forbidden to show military failure or fragility. AAP Image/Dave Hunt

We censor war photography in Australia – more’s the pity

Although more than 100,000 Australians have lost their lives as a result of war service, photographs of our dead have never been published in newspapers.Perhaps we should reconsider this.
One of the major works on display in The Photograph and Australia at the Art Gallery of NSW, Tracey Moffatt’s I made a camera (2003). Photolithograph. Collection of the artist. © Tracey Moffatt, courtesy Roslyn Oxley9 Gallery, Sydney. Art Gallery of NSW.

The Photograph and Australia: the curator and the exhibition

A major photography retrospective opened at the Art Gallery of NSW on the weekend, but what does The Photograph and Australia tell us about our present and past?
Some of the earliest applications of photography came in the fields of archaeology and botany. Pictured is a photograph from botanist Anna Atkins’ Photographs of British Algae: Cyanotype Impressions (1843).

How photography evolved from science to art

Because a photograph came from a machine – not a human hand – many were not entirely sure if it could be called art.

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