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Articles sur Visual art

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You’re in a gallery looking at Dani Marti’s It’s All About Peter. What do you do next? Photo: Jamie North. Image courtesy of the artist and BREENSPACE, Sydney.

Three simple steps to understand art: look, see, think

What’s the key to understanding art? Could there be some easy steps to unpacking the meaning of an artwork? The short answer is: yes. I recently wrote an article for The Conversation called Three questions…
How does a woman make art history, asks !Women Art Revolution, an American documentary that screened at the Melbourne Festival. Melbourne Festival

Just name three female artists: !Women Art Revolution on screen

The central premise of American director Lynn Hershman Leeson’s film !Women Art Revolution (2010), which screened at the Melbourne Festival over the weekend, is summarised near its conclusion: “When artists…
Primavera 2014 displays many wonderful works by 13 young artists – but the hand of the curator is distracting. Lucienne Rickard, Some Old Waste 2014, 112 x 140 cm, graphite on drafting film, Image courtesy MCA and © the artist.

It’s too hard to love Primavera 2014 at Sydney’s MCA

Primavera is the Italian word for springtime, and each spring since 1992 the Museum of Contemporary Art in Sydney has a curated selection of emerging artists under 35 years old – in the springtime of their…
Why are Western Australian artists such as Flynn Talbot, whose work X Y is pictured here, left out of the bigger picture? Flynn Talbot Studio/Undiscovered Symposium

Western Australian art is excluded from the national conversation

Despite our interconnectedness through radio, television and the internet, the coverage of arts and cultural activities in Australia is viewed from a very close focus. This corrupts our understanding of…
At his current exhibition at Galerie Perrotin, Wim Delvoye’s works continue to vex ready classification. Photo: Claire Dorn. Courtesy Galerie Perrotin

Wim Delvoye’s astonishing art shows what’s lurking in the banal

When Belgian artist Wim Delvoye broke onto the international scene back in the 1990s, he was one of those artists (like Sigmar Polke before him) that critics found difficult to pigeonhole. His works ranged…
Negotiating our position in the world has been a constant facet of Australian art. Tracey Nearmy/AAP

Yes, Capon, Australian artists have always thought about place

Edmund Capon, the former director of the Art Gallery of New South Wales (AGNSW) last week commented that Australian artists remain unknown overseas because their work is “too strongly defined by place…
Jeff Wall, Untangling (1994, printed 2006), transparency in light box, AP 189.0 x 223.5 cm. National Gallery of Victoria

Art as Therapy? Art as Patriarchy!

Art as Therapy at Melbourne’s National Gallery of Victoria (NGV) promises to “challenge visitors to examine assumptions about themselves, society, and how art is viewed in galleries”. And it would be right…
Cullen possessed a natural likeability, even an awkward politeness. AAP Image/Paul Miller

Review: The Life and Death of Adam Cullen by Erik Jensen

Adam Cullen, Australian artist and winner of the 2000 Archibald Prize, died just over two years ago at the age of 46. He spent the last three years of his life working with a young writer, Erik Jensen…
In The Boys Home, artist Zanny Begg worked with boys in juvenile detention. This image is from a project titled Rooms. Photo documentation by Alex Wisser. The Boys Home

The Boys Home: making art in a juvenile detention centre

I entered the secretive world of a maximum-security prison for children in Sydney’s Western suburbs for four months earlier this year. My passport into this highly restrictive world was an artist residency…
Could a child have painted Picasso’s Seated Woman? That’s the wrong kind of question to ask of art. EPA/ANDY RAIN

Three questions not to ask about art – and four to ask instead

Art raises a lot of questions. That’s what it does. If an art work in a gallery or a news story has made you ask “what the …?”, it has already started to do its job. But for many who are not familiar with…
Damien Hirst, whose work Virgin Mother III is pictured here, has learned the lessons of personal branding. Suzanne Gerber

Survive in the art world: market the brand, sell the product

Artists such as Andy Warhol, Salvador Dali, and more recently Damien Hirst and Jeff Koons, are regularly held up as masters of self-marketing and as global artist brands. Koons, for example, is feted on…
Long term, works such as Pavilion, (interior) by Hany Armanious will pay off. City Centre Public Art

Sydney’s new public sculptures are good for the collective noodle

Sydney’s Lord Mayor Clover Moore has turned me into a milk crate acolyte. Driving to work this morning, I screeched to a stop by the side of the road. Why? There was a blue milk crate lying in the gutter…
Jeff Koons, Tulips, 1995 – 98. Oil on canvas; 111 3⁄8 x 131 in. (282.9 x 332.7cm). Private collection. © Jeff Koons. Whitney Museum of American Art

Jeff Koons – a spectacle on the way to respectable

American Jeff Koons is possibly the most contentious living artist. His current retrospective at the Whitney Museum in New York writes him into the contemporary canon of great living artists – but even…
A dance performance at Beijing’s Peng Hao theatre. How does context help us make meaning of works like this? Gustavo Thomas

Circles of context: giving a work of art its meaning

On the June weekend the Sydney Biennale closed, I arrived in Denmark to speak at a conference where the Greek theatre artist Alexandros Mistriotis proposed that “art liberates us from meaning”. A week…
Self-taught artist Stan Hopewell in his studio. Photo: Frances Andrijich

Stan Hopewell – an artist facing the stars and reaching the unknown

This is an edited extract from Ted Snell’s book, Stan Hopewell: Facing the Stars. This is a love story! It is the story of Stan Hopewell and his beloved wife Joyce, a couple whose lives intertwined during…
A solo show at the Saatchi means an artist has already entered orbit. Pelham Communications and Prudential Eye Awards

Ben Quilty at the Saatchi Gallery … things just got interesting

Ben Quilty is the first Australian artist to hold a solo show at the Saatchi Gallery in London. Opening last Friday and running until August 3, the exhibition is a big deal for Quilty, naturally, but also…
A new exhibition in Brisbane takes food as its subject and includes this work by Darren Sylvester. (‘The explanation is boring. It’s simple. I don’t care’, 2006. Lightjet print on paper, 120 x 160cm.) Queensland Art Gallery/Gallery of Modern Art

GOMA’s Harvest shows tastes change when it comes to food

In Rolf de Heer’s new film Charlie’s Country there are four food moments: deep-fried fast food; tinned and packaged food (abandoned when the car runs out of petrol); cooked-in-coals barramundi; and green…
An exhibition of the Fremantle realists sheds new light on the work of this pioneering group. Ken Wadrop, Action painting , 1978, acrylic paint on canvas, 92 x 123.5 cm. Fremantle Arts Centre

The Fremantle artists who found new ways of seeing the everyday

There is a sense of elation when you see something familiar as if for the first time. Looking is one thing but seeing is something entirely different and for the three Western Australian artists identified…
Ben Quilty, Captain S, after Afghanistan, 2012, oil on linen, 140 x 190cm.

Battle lines: the onward march of war art in Australia

War art, like war, changes with time – but not as much as we might like to believe. So what is its function, and how has it evolved over time? Two current exhibitions – the travelling show Ben Quilty…

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