Born in 1943, photographer William Yang has spoken of having to ‘come out’ twice: first as a gay man and secondly in search of his Chinese identity. A new exhibition marks his career.
Hollywood movies have long leaned into colonial representations of the tropics: imagined as romantic palm-fringed coasts full of abundance, but also scary places full of pestilence and primitiveness.
The laws on filming, recording and in some cases distributing the images of another person in Australia are clear — and the potential consequences for the accused are substantial.
Like a Rorschach test, the incident offers limitless interpretations. But newly published photographs of Yukio Mishima in his final weeks alive show an artist obsessed with scripting out death.
Australia’s invertebrates have an ancient lineage and a fascinating evolution. Get up close with macrophotography to discover tiny, unique animals you’ve probably never seen before.
The Body Electric features ground-breaking photography and video from the 1960s, 70s and 80s, alongside more recent work from Australian and international artists.
Exclusive: the recent discovery of probably the oldest known surviving photograph of a Māori sheds light on the remarkable subject of Taika Waititi’s new film project.
What does an artist do when the subject is a disease as much as a person, and when the disease then subsumes the person – to the point where he can’t recognize his own son?
Cherine Fahd, University of Technology Sydney and Sara Oscar, University of Technology Sydney
From Madonna and child to fierce matriarch, mothers have appeared in frame since photography began – even it sometimes they are just part of the furniture.
Honorary (Senior Fellow) School of Culture and Communication University of Melbourne. Editor in Chief, Design and Art of Australia Online, The University of Melbourne