Wiley’s seminal debut marked a pivotal moment in the foundation of grime and its history.
Rigor acadêmico, estilo jornalístico
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Wales has a rich musical heritage, and the next generation is ready to take centre stage.
The lyrics illustrate what it means to grow up young, black and deprived on the fortress like council estates of London.
25 Years of Garage has good intentions, but this scene-documenting film makes some familiar mistakes.
Releases created in lockdown have included messages to stay home and save lives.
Why shouting diversity just doesn’t cut it if the system is designed to keep people out.
The policing of black British culture has a long history.
West London group 1011 music group have been banned from making music without police permission.
It’s not the first time a form of urban music from the black community has been purposefully associated with crime by the powers that be.
Stormzy and other grime artists are speaking up, and their messages can no longer be ignored by mainstream.
Self-expression from the streets.
Grime could provoke the most disruptive cultural transformation of the British music industry in decades.
Who are the ‘macho boasting idiots’ now?
When the classroom is your dance floor.
Skepta’s Mercury Prize win has put grime – and youth culture – in the spotlight.
Principais colaboradores
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Assistant Professor, Chapman University
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Senior Lecturer in Cultural and Creative Industries, King's College London
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Professor of Sociolinguistics, Manchester Metropolitan University
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Senior Lecturer in Criminology, University of Brighton
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Research Lead at Rhythm Obscura / Lecturer in the School of Art, Design and Architecture, University of Plymouth
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Principal Investigator, Black Music Research Unit, University of Westminster
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Lecturer in Drama, University of Exeter
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Lecturer , York St John University
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Visiting Lecturer, University of Roehampton
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Lecturer in Cultural Sociology, Birmingham City University
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Researcher in Music, University of Oxford
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Senior Lecturer in Popular Music, University of South Wales
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Professor in Popular Music Analysis, University of South Wales
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Senior Lecturer in Popular Music, Manchester Metropolitan University
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Lecturer, Music Business, University of Westminster
