The Riverdale gang have gone from squeaky clean 40s hijinks, to bizarre Punisher cross-overs in the 90s, to a Twin Peaks-lookalike murder mystery today.
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In a universe of infinite possibility, why is Doctor Who always a man? Peter Capaldi’s forthcoming retirement from the role means it’s surely time to hand the sonic screwdriver over to a woman.
From that gay kiss to dragon slaying, festive TV adverts speak volumes about the broadcasters.
Next year Hulu and Google will introduce their own bundled channel services. Will it spark an online TV revolution or simply lead to more of the same?
The recently broadcast TV mini-series, “Mars”, combines fiction and nonfiction in a way that places them in balance. This kind of combination is likely to feature in more television series and films.
The traditional TV schedule is still more important than we might think.
The Logies are fantastically daggy, but they let us compare audience and industry definitions of achievement. Looking back, it’s clear the public celebrates new, diverse and varied television.
The science of making us watch … and then spend.
The new motoring series will be used to help launch another video on demand service in Australia. But will consumers find away to access the show and avoid paying another fee?
How does Donald Trump, the son of a millionaire, manage to be an ‘outsider’? A clue might be found in The Apprentice, a melodrama which uses exaggerated emotion to tell the story of an underdog overcoming adversity.
Highly polarised media, be it on the left or the right, are a threat to democracy.
Changes to the ABC’s science show Catalyst follow recent criticism of some of its journalism. But will the new format still give a voice to Australian science, or will some issues lose out?
In ‘Westworld’s’ land of robots, it’s the people who lack humanity.
Today’s Melbourne Cup will be streamed on Twitter for the first time. So how much can social media compete with traditional broadcasters for sports?
Streaming television may actually facilitate important forms of human interaction, like participating in politics.
Updated guidelines for how much screen time children can have puts most of the onus on the parents to decide.
With Quickflix saved but Presto on the way out, it’s hard to predict who will emerge as the winners as battle for video-on-demand viewers intensifies.
The 1980s cult show Fat Tulip’s Garden fuelled the creativity of its young viewers. But in a digital age, are children less exposed to this kind of absurdist, performative storytelling?
Live events like sports seemed immune to streaming services’ assault on traditional broadcast TV. Now that might change.
TV ratings for the NRL and AFL grand finals show its still a challenge to engage a national broadcast audience that covers non-traditional areas.
Principais colaboradores
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Senior lecturer in Screen Media, Victoria University
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Professor of Media Studies, Queensland University of Technology
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Associate Professor and Cinema and Screen Studies Discipline Leader, Swinburne University of Technology
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Senior Lecturer in Communication, University of Technology Sydney
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Former Honorary Research Associate, School of Media and Communication, RMIT University
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Senior Lecturer, School of Media, Film and Journalism, Monash University
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Research Fellow, Media & Communications, RMIT University
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Senior Lecturer (Media Studies and Production), University of Southern Queensland
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Associate Professor of Sociology, University of Texas at Arlington
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Professor of Political History, University of Nottingham
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Senior Lecturer in Sport Management, Deakin University
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Senior Lecturer in English Literature, Charles Sturt University
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Lecturer in Journalism, University of Technology Sydney
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Emeritus Professor of Cultural Research, Institute for Culture and Society, Western Sydney University
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Professor & Dean, School of Media and Communication, RMIT University
