An unusual and magnificent exhibition at the National Gallery of Victoria allows us to see Bonnard like never before.
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Milton Moon’s work produced over six decades is on show in a new exhibition at the Art Gallery of South Australia.
This year’s Archibald and Wynne Prize winners show that a new generation of artists have now entered the mainstream.
Inspired by art history and collections in museums, So has drawn on the visual language of figurative vessels and objects from Assyria, Egypt, Iran, Latin America and China.
The Archibald Prize and the Royal Easter Show have a great deal in common. Both are enjoyed by the general public, but the entrants in the competitions are very serious about winning.
Archiving the Ephemeral, brings five works by performance artist Leisa Shelton together in a beautifully curated installation.
Loud Sky, at Newcastle’s The Lock-Up, brings together new commissions and community artworks to explore institutional abuse by the Catholic Church.
Conceived as a snapshot of visual culture in Melbourne and Victoria, this exhibition is challenging, visually exciting and memorable.
Andy Warhol and Photography: A Social Media at the Art Gallery of South Australia is a brilliant new exhibition into the little explored side of the pop master.
A new show at the Gold Coast’s HOTA attests to the ongoing influence of pop art today.
Sydneyphiles remounts Yang’s 1977 exhibition, documenting mainstream Sydney and the illegal gay party scene.
This new exhibition at Hobart’s Mona captures Tomás Saraceno’s collaborations with research institutes.
Alexander McQueen: Mind, Mythos, Muse at the National Gallery of Victoria is an important fashion exhibition that makes us consider how all the visual arts are inter-related.
The first Chinese object was acquired by the year-old gallery in 1862. A new exhibition looks at this history – and towards the future.
Zampatti Powerhouse at the Powerhouse Museum is one of the best-looking fashion exhibition designs Australia has seen.
The senior artist works across genres, much of her art reading like a stream of consciousness thoughts about contemporary life.
Studying in London, the young artist examined the human figure, animals in the zoo and the rich cross-section of theatre life and of life on the streets.
WORD MADE FLESH at the Australian Centre for Contemporary Art is a comprehensive survey of this singular artist’s work.
Broken Spectre, an immersive, 74-minute-long moving image work, is having its world premiere at the NGV.
Waanyi woman Judy Watson and second-generation Anglo immigrant Helen Johnson both use archival materials to explore Australia’s violent history.
Principais colaboradores
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Adjunct Professor of Art History, Australian National University
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Honorary (Senior Fellow) School of Culture and Communication University of Melbourne. Editor in Chief, Design and Art of Australia Online, The University of Melbourne
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Emerita Professor, Art History and Curatorship, University of Adelaide
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Senior Lecturer of art history, Griffith University
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Senior Industry Fellow, RMIT University
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Associate Professor, art history and visual culture, Southern Cross University
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Author and Research Fellow, UNSW Sydney
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Associate Professor, School of Art, RMIT University
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Honorary Professor, Edith Cowan University
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Senior Research Fellow, Victorian College of the Arts, The University of Melbourne
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Lecturer - Visual Arts, University of Wollongong
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Professor & Dean, School of Media and Communication, RMIT University
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Distinguished Professor of Design History, UTS, University of Technology Sydney
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Professor of Performance and Visual Culture, Head of School of Art and Design, UNSW Sydney
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Ruth Coulter Heede Professor of Art History, Case Western Reserve University
