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Exibindo 101 - 120 de 140 artigos

Olafur Eliasson, Denmark, b.1967 Riverbed 2014 (detail) Site specific installation. Pictured: The Louisiana Museum of Modern Art, Humlebæk, DenmarkCourtesy of the artist; neugerriemschneider, Berlin; Tanya Bonakdar Gallery, New York / Los AngelesPhotograph: Iwan Baan.

In our time of climate crisis, the exhibition Water is a subtly crafted plea

Water can give and water can take. Without it, however, we are nothing. A new exhibition presents a nuanced and gentle provocation as we grapple with drought and climate change.
Crossing Lines, ‘a raw and uncompromising show’, opens with this reproduction of Haring’s creation on the NGV Waterwall, which he painted in 1984. NGV/© Keith Haring Foundation Photo: Tom Ross

‘Nothing quite prepares you for the impact of this exhibition’: Haring Basquiat at the NGV

Keith Haring | Jean-Michel Basquiat: Crossing Lines may well be the riskiest exhibition the National Gallery of Victoria has staged in its more than 150-year history.
You would recognise their designs: bright, bold, colours; clothing filled with fun. Step into Paradise gives us a glance at the women, as well as the fashion. Hugh Stewart/Powerhouse Musuem

Step into Paradise review: from koala jumpers to the Sydney Olympics, Jenny Kee and Linda Jackson defined Australian fashion

With bright colours and a celebration of Australiana, designers Jenny Kee and Linda Jackson came to define Australian fashion. A new exhibition traces their nearly 50 years of creation.
Ben Quilty, Australia, born 1973. Margaret Olley 2011. Oil on linen / 170.0 x 150.0 cm. Collection of the artist. Courtesy the artist. Photograph: Mim Stirling

‘Are you one of us or one of them?’ Margaret Olley, Ben Quilty and a portrait of a generous friendship

Margaret Olley was known not only for her paintings, but her generosity. An exhibition of her work is currently on in Brisbane, alongside a survey of the work of Ben Quilty, her mentee and friend.
Mella Jaarsma, The landscaper 2013, costume: wood, paint, iron and leather, single-channel video: 3:40 minutes, colour, sound. National Gallery of Australia, Canberra. Purchased 2018. Photo by Mie Cornoedus

Indonesian art is fresh, energetic and lively. Why do we not see more of it?

The exhibition Contemporary Worlds: Indonesia has many wonderful works. But it is an exception - despite our close proximity, there are few opportunities for Australians to engage with Indonesian art.
Arthur Loureiro, Study for ‘The spirit of the new Moon’ 1888, oil on canvas. Queensland Art Gallery | Gallery of Modern Art, Brisbane Purchased 1995. Queensland Art Gallery Foundation Grant with the assistance of Philip Bacon through the Queensland Art Gallery Foundation. Celebrating the Queensland Art Gallery's Photograph: QAGOMA

Friday essay: romancing the moon – space dreaming after Apollo

50 years after Apollo 11, a new exhibition considers artistic responses to our celestial neighbour. As we retreat from human space exploration, our relationship to the moon has become virtual.
Dallas Dellaforce, Queer Central, Imperial Hotel, Erskineville, 2018. ‘Queerdom’ presents an archive of queer and trans life in Sydney. Queerdom/James Eades

An intimate, arresting exhibition highlights the hard work of living queer

Queerdom, an exhibition of photography and poetry, presents a history of queer and trans performance in Sydney that challenges recent narratives about queer life in Australia.
Marcel Duchamp, ‘From or by Marcel Duchamp or Rrose Sélavy (Box in a valise)’ 1935-41, 1963-65 (contents); Series F, 1966 edition, mixed media, 41.3 x 38.4 x 9.5 cm Philadelphia Museum of Art, gift of Mme Marcel Duchamp, 1994-43-1. © Association Marcel Duchamp/ADAGP. Copyright Agency, 2019

The essential Duchamp: an exotic radical who rejected the establishment

Some 50 years after his death, a major exhibition at the Art Gallery of New South Wales shows why the work of Marcel Duchamp continues to challenge the very idea of what art may be.
Song dynasty 960–1279 Feng Dayou (active mid 12th century) ‘Taiye lotus pond’, album leaf, colours on silk. 23.8 x 25.1 cm. National Palace Museum, Taipei Photo: © National Palace Museum, Taipei

Heaven and Earth in Chinese Art is an exercise in spectacle

The first major loan to Australia from a repository of canonical art works of Chinese culture deserves to be seen by all those interested in Chinese art.
Paul Signac, ‘Leaving the Port of Marseille’ 1906/7 oil on canvas, 46 x 55.2 cm, The State Hermitage Museum, St Petersburg, Inv GE 6524. Photo: © The State Hermitage Museum 2018, Vladimir Terebenin.

Modern Art from The Hermitage showcases the French gems of two great merchant collectors

In the early 20th century, two families of collectors brought the best of modern French art to Russia. Many of their paintings - including works by Picasso, Matisse and Cezanne - can now be seen in Sydney.
Salvador Dalí (Spanish, 1904–1989), The Persistence of Memory, 1931, Oil on canvas, 9 ½ x 13" (24.1 x 33 cm). The Museum of Modern Art, New York. Given anonymously © 2016 Salvador Dalí, Gala-Salvador Dalí Foundation / Artists Rights Society (ARS), New York

MoMA at NGV is a landmark exhibition – rich, dazzling and profoundly visually exciting

All of the big names are present in this show – from Vincent van Gogh, Pablo Picasso and Frida Kahlo to Roy Lichtenstein and Cindy Sherman – and represented by some of their best-known work.

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