My Sister Jill disrupts ideas of colonial glory with a troubling depiction of family violence, PTSD, homophobia and the ruinous intergenerational impacts of patriarchal oppression on everyone.
Sam Roberts/State Theatre Company of South Australia
Oscar Wilde’s extraordinary script is delivered with sharp wit by an extraordinary cast and placed within a production that exploits the dialogue for its viciously comic potential.
Iain Grandage’s fourth Perth Festival continued his focus on First Nations performance, together with an exhilarating dose of Black Futurism as well as demanding post-classical music.
In this play, RBG discusses her most famous cases and her conversations with three of the presidents who served during her 27-year term on the US Supreme Court.
Helen Garner on stage in Betty Can Jump at The Pram Factory in 1972.
Photo courtesy of the Betty Can Jump collective
In 1972, 5 women – Helen Garner, Claire Dobbin, Evelyn Krape, Yvonne Marini and Jude Kuring –spent 5 months workshopping a play. Frank, angry and explicit, it was a beacon of 1970s women’s liberation.
When the World Turns by Polyglot Theatre and Oily Cart.
Photographer: Theresa Harrison