Short-circuiting the language of literary value, permanently wrongfooting the custodians of taste, Gravity’s Rainbow proposes a new way of thinking about what we treasure most.
Nigerian author Chimamanda Ngozi Adichie’s novel ‘Purple Hibiscus’ intersperses Igbo words and expressions.
(Rolf Vennenbernd/Pool Photo via AP)
Polyglot texts — texts that use many languages — have become increasingly common as writers document struggles between regimes of European hegemony and decolonizing movements.
Kath O'Connor’s debut novel, Inheritance, follows two women – an IVF hopeful and her grandmother – who carry the BRCA1 gene and contract ovarian cancer. It’s very close to being memoir.
A coffin made to resemble a mermaid at a Ga funeral. The Ga people live along the southeast coast of Ghana.
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In the shadow of the climate crisis, a wave of speculative stories ask what it means to live in a world where everything is not an extractable resource — and where humans are not in control.
Ian McEwan has forged his own genre – crisply realist surfaces mixed with sudden excursions into the darkest corridors of the mind. In Lessons, the central character reveals a writerly consciousness.
Workers disinfect Istanbul’s Suleymaniye Mosque in 2020.
Tolga Bozoglu/EPA
Nights of Plague is set on a fictional island in the early 20th century. Is it an allegory of empire’s fall; a contemplation on corruption and East-West tension or a reflection on pandemic life?
Elizabeth Strout’s novel Oh William! has been shortlisted for the Booker Prize. Her follow up book takes us inside the head of a small, loving, anxious, slightly neurotic person during lockdown.
Burnt bushland, the Blue Mountains, December 2019.
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