Technically, ChatGPT can do (some of) the work of a human editor. But an experiment comparing three separate human edits of a literary short story to edits by ChatGPT exposes AI’s serious limitations.
In her prose and her poetry, Sara M. Saleh renders unique the ways people resist, transcend, adapt, make the best of things, compromise, endure, and lose hope and faith.
Peter Benchley’s classic 1974 ‘man versus beast’ blockbuster novel doubled as a scathing critique of 1970s America. Spielberg’s film made its characters likeable – and its tone into a ‘grand adventure’.
Maggie O'Farrell’s homage to The Yellow Wallpaper inhabits a ‘difficult’ young woman who survives tragedy in colonial India and is incarcerated by her family for refusing gender and social norms.
Karl Ove Knausgaard.
Sam Barker/Penguin Random House
The Wolves of Eternity is remarkable – and deliberately challenging. Ranging across time and space, it muses on thinking trees, Putin’s Moscow, a Norwegian heatwave and the undead.
From Welcome to the Hyunam-Dong Bookshop, to The Door-to-Door Bookstore, a variety of new novels present bookselling as a source of solace, meaning and escape. What’s going on here?
Erika Alexander is Coraline and Jeffrey Wright is Monk in ‘American Fiction.’
(Claire Folger/Orion)
In this episode, Vinita sits down with two experts to break down the many layers — and Black stereotypes — in the much anticipated new film, ‘American Fiction.’
What does capitalism do to our ability to connect with other people? Lydia Davis’ stories suggest it hollows out our words – but that the exaltation of the ordinary can connect us.
Amanda Lohrey’s new novel, The Conversion, poses questions that matter to how we read, write and live now – through a couple’s renovation of a church into a home.