A new Nigerian movie, Jagun Jagun, adds to the growing number of recent films of major cultural prestige eulogising heritage in war, bravery, and royalty.
The digital era contributed immensely to the growth of Nollywood, Nigeria’s film industry.
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Nigerian filmmakers are looking at the past and remaking old Nollywood classics for a new generation.
Director Kunle Afolayan and actress Genevieve Nnaji discuss the international rise of Nollywood at the 2016 Toronto International Film Festival.
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In Lagos, cinema audiences don’t go to the movies for the film alone. There’s more.
Director Kunle Afolayan, actress/singer Genevieve Nnaji and moderator Wendy Mitchell discuss the international rise of Nollywood at the 2016 Toronto International Film Festival.
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Viewing Nigerian movies is seen as a trip down memory lane, a virtual journey back home and group therapy for Africans in the diaspora.
Back row (From L-R): Banky W, Ted Sarandos (Netflix Chief Content Officer), Kate Henshaw, Richard Mofe-Damijo, Felipe Tewes (Netflix Italian & African Originals Director), Omoni Oboli, Ben Amadasun (Netflix Africa Licensing Director) and Akin Omotoso
Front Row (L-R) Mo Abudu, Adesua Etomi, Dorothy Ghettuba (Netflix African Originals lead) , Kunle Afolayan, Kemi Adetiba and Ramsey Noah.
Fespaco, Africa’s premier film festival, celebrated its 50th anniversary in Burkina Faso. For African cinema to survive, it must adapt to today’s audiences and forms of distraction.
French president Emmanuel Macron with Nollywood artists during a live show in Lagos, Nigeria.
EPA-EFE/Ludovic Marin
The world’s third-largest movie industry in Nigeria is in danger of collapse. It is not to do with patrons staying away from the films. It is caused by a menace right in the heart of the industry.