Joan London’s The Golden Age won the Kibble Award last week, having been shortlisted – but unsuccessful – in several high-profile prizes previously. Deciding on winners is a highly subjective process.
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Articles sur Literature
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Over the course of almost six decades, Doctorow – who has died – wrote himself into the canon of American literature. He embodied the virtues of a classical storyteller.
Atticus Finch, we learn in Go Set a Watchman, once attended a Ku Klux Klan meeting, and welcomes pro-segregation speakers at local council meetings. But is he really so different to the man we know from To Kill a Mockingbird?
It’s hard to work out how funding for literature – if at all – fits into the draft guidelines of the new National Program for Excellence in the Arts. So what are the politics, and problems, at play?
Some parents have been horrified to discover that, in Harper Lee’s new book, Atticus Finch – long admired as a paragon of virtue – is a racist. Why? Because their kids are named after him. So, what now?
Not every crime novel needs a Jason Bourne. Mishani eschews the obvious world of Mossad agents and terrorist plots you might expect in an Israeli crime novel – and the results are thrilling.
Salinger is still known for the resonance his only novel, The Catcher in the Rye, has with young readers, but at the core of his fiction sits a theme that is often overlooked – unresolved grief.
Lee’s second novel is an angrier, more disillusioned, and more obviously political work than her classic, To Kill a Mockingbird.
Talk of a possible third book to follow this week’s release of Go Set a Watchman suggests the ‘delicious mystery’ of Harper Lee will continue for years to come. So what basis is there for the rumours?
Fifty Shades of Grey and fan fic like it has reached the Ivy League.
Go Set a Watchman, by Harper Lee, is one of the most anticipated follow-ups in history, to be published next week after a 55-year hiatus. So what does the opening chapter prime us to expect?
The discrepancy between cover designs for Lolita – published 60 years ago – and the themes of the novel are stark. But that hasn’t stopped hundreds of designers trying to get it right.
Whatever name you give it, writing of this sort is increasingly becoming the prime location for imaginative representations of our culture’s deepest hopes and fears.
Carroll’s pivotal children’s classic offers a timeless mystery for generations to come.
Many child narrators in adult fiction are precocious. This enables them to describe events and people in ways that would not be possible for ordinary children of their age.
The late Black Consciousness leader Steve Biko and political philosophers Frantz Fanon and Achille Mbembe top the list of writers who get routinely abducted by discerning pirates of the book world.
If a society should be judged by the way it treats its children, and those who are struggling on the margins, then Laguna’s work once again proves that the novel is a crucial means for drawing attention to the burning problems of our times.
The very idea of the happy ending as appropriate literary fare for children is an illusion. Most fairy tales are full of darkness and violence, and as often as not do not end happily.
The desire to connect with literary places supports a substantial tourist trade. And the reasons why people embark on literary pilgrimages are as diverse as the kinds of fiction that inspire them.
We know that male writers win more prestigious literary awards than female writers, but sadly, when women do win, it’s typically because they write about male characters, or “masculine’ topics.
Les contributeurs les plus fréquents
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Associate Professor in Literary Studies, Monash University
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Associate Professor in Media, University of Notre Dame Australia
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Executive Dean (interim) Faculty of Arts and Design, University of Canberra
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Lecturer, School of Design, University of Technology Sydney
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Professor, Chair of Australian Literature, The University of Western Australia
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Honorary Fellow of the School of Languages and Linguistics, The University of Melbourne
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Visiting Fellow, Centre for Cultural and Creative Research, University of Canberra, University of Canberra
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Senior Lecturer, Literature and Gender Studies, Victoria University
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Lecturer in Digital Arts & Humanities, University College Cork
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Emeritus Professor of Australian Literature, University of Sydney
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Professor of English, Institute for Humanities and Social Sciences, ACU, Australian Catholic University
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Lecturer in Contemporary Literature, La Trobe University
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Professor, School of Culture and Communication, The University of Melbourne
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Associate Professor, School of Languages, Literatures, Cultures and Linguistics and Fellow of the Australian Academy of Humanities, Monash University
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Visiting Professor, University of Technology Sydney
