Disney recently announced a forthcoming streaming service, leading some to wonder if the company is gearing up for a battle with Netflix. But not all streaming services are locked in a death match.
Margot Susca, American University School of Communication
The FCC has made it even easier for broadcast media conglomerates to focus on making money. The public – who own the airwaves those companies depend on – will suffer as a result.
The Good Place is a high concept comedy about what it takes to be a good person. One of the show’s charms is the way it draws on real philosophers and philosophical dilemmas.
Astronauts traveling to Mars and beyond would face serious psychological challenges. A well-designed media program – based on an old-fashioned schedule – might help make life at least a bit easier.
“Gritty,” “authentic” are words of praise often used for TV director David Simon: No less so with The Deuce, his new series about the rise of the porn industry in New York City in the 1970s.
Australian TV has been slow to enter the sci-fi genre, but the success of series like Cleverman shows we could have our own distinct brand of local sci-fi.
New ABS figures on film, TV and digital gaming show that subscription broadcasters and online content creators are booming. Yet local content quotas only apply to free-to-air broadcasters.
In 1958, Mildred and Richard Loving were arrested in Virginia for the crime of being married. The couple helped spark an effort to strike down laws against interracial marriage in the United States.
Twin Peaks has just hit our streaming services, again, alongside reboots of the X-Files, Gilmore Girls, and more. But, despite our nostalgia, they’ll never revive the specific time they were born in.