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Paul Signac, France, 1863-1935, La bouée rouge (The red buoy), 1895, oil on canvas, 81.2 x 65 cm. Musée d'Orsay, Paris, France ©photo Musée d'Orsay / rmn

Art Gallery SA goes back to Impressionism’s colourful roots with masterpieces from Musee d'Orsay

The Impressionists were obsessed with the science of colour, which is celebrated in a new exhibition in Adelaide. At least 50 of the paintings have never previously been exhibited in Australia.
The term ‘Leb’ embodies hyper-masculinity on the street. Generic image from Shutterstock.com

What does a ‘Leb’ look like?

Michael Mohammed Ahmad's novel The Lebs is a realistic portrayal of teenage boys in Western Sydney.
Detail from William Barak, Figures in possum skin cloaks, 1898, pencil, wash, charcoal solution, gouache and earth pigments on paper, 57.0 x 88.8 cm (image and sheet) National Gallery of Victoria, Melbourne Purchased, 1962

NGV’s Colony is a bold attempt to confront Australia’s colonial past, but divisions remain

Colony at the NGV pairs colonial art with Indigenous responses, in an effort to create dialogue about Australia's history.
Rabaul is famous for its twin volcanoes, which erupted simultaneously in 1994. Unknown photographer Image supplied by David Bridie and Gideon Kakabin

The A Bit na Ta exhibition reminds us of our forgotten links to Papua New Guinea

An exhibition at the Melbourne Museum tells the history of colonialism in East New Britain, PNG, from the perspective of the local people. This is history from the ground up, told through film, art and music.
Taylor Mac sacrificed the audience in a ‘Radical Faerie realness ritual’. Fortunately we survived. Melbourne Festival

How our arts critics saw 2017

2017 gave us a blockbuster female superhero, radical faerie realness rituals, and the 'frenetic flapping of male genitalia'. Here's what our arts critics made of all that.

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