Guests at the V.I.P Opening Feast, Eat The Problem.
Mona/Jesse Hunniford Image Courtesy MONA Museum of Old and New Art, Hobart, Tasmania, Australia
A new exhibition and book urging us to eat invasive species are beautiful but come across as little more than an exquisitely designed elitist spectacle.
Abdul-Rahman Abdullah, Pretty Beach, 2019, installation view, The National 2019: New Australian Art, Museum of Contemporary Art Australia, Sydney, painted wood, silver plate ball chain, crystals, audio, image courtesy the artist and Museum of Contemporary Art Australia.
© the artist, photograph: Jacquie Manning.
Abdul-Rahman Abdullah's installation Pretty Beach tells a story from the artist's childhood to explore mortality and grief.
Installation view of Alexander Calder: Radical Inventor on display at NGV International from 5 April – 4 August 2019 © 2019 Calder Foundation, New York / Copyright Agency, Australia.
A new exhibition charting Alexander Calder's atypical path into the modernist art canon is elegant, dramatic and great fun.
Rosslynd Piggott Double Breath (contained) of the sitter 1993–94 (installation detail) various media.
© The artist Photo: courtesy the artist
Rosslynd Piggott's artworks explore an uncanny, dream-like state. A new exhibition of her objects, installations and paintings is a memorable reflection of a major Australian artist.
Sam Cranstoun, Utopia, The National, Carriageworks.
The ambitiously named exhibition, The National: New Australian Art, lives up to its title as a visual examination of Australia in an age of uncertainty.
Peta Clancy, Undercurrent 1, from the series Undercurrent, 2018-19, inkjet pigment print, W120 x H85cm each image approx.
Courtesy the artist
There is a long history of cultural silence on the frontier wars that characterised Australia's colonisation. Peta Clancy's exhibition invites us to see this history in the Victorian landscape.
These images of Cherine Fahd’s grandfather’s funeral were tucked away in a brown paper envelope for decades. As a society, we too often keep grief hidden from view.
Rarely seen in the family album are photographs of funerals, burials and the suffering of those who are left to mourn.
Youth dance troupe Stompin performed their thought-provoking work Nowhere as part of this year’s Ten Days on the Island.
Jacob Collings, Lusy Productions
Despite the diversity of art and performance on display at the tenth Ten Days on the Island festival, key themes emerge: life, death, and Tasmania's colonial history.
Artist Janet Laurence is ferocious and uncompromising in her work.
A new survey exhibition of contemporary artist Janet Laurence urges us to reconsider the relationship between art, nature and politics.
Installation view: Quilty featuring Pancreatitis (Kenny), The Last Supper (Bottom Feeder) and Farewell virginity by Ben Quilty, Art Gallery of South Australia, Adelaide, 2019.
Photo: Grant Handcock.
Ben Quilty is the next big thing in Australian art. Will he be allowed - and will he allow himself - to explore and find his true potential as an artist?
Nora Heysen, Self-portrait 1934 oil on canvas 43.1 x 36.3 cm.
National Portrait Gallery, Canberra Purchased 1999 © Lou Klepac
Nora Heysen was the first woman to be awarded the Archibald Prize, but for most of her life she was defined not by her art, but by her relationship to her famous father, the artist Hans Heysen.
Song dynasty 960–1279 Feng Dayou (active mid 12th century) ‘Taiye lotus pond’, album leaf, colours on silk.
23.8 x 25.1 cm. National Palace Museum, Taipei
Photo: © National Palace Museum, Taipei
The first major loan to Australia from a repository of canonical art works of Chinese culture deserves to be seen by all those interested in Chinese art.
Garry Sibosado, Aalingoon (Rainbow Serpent), 2018, ochre pigment on engraved pearl shell, detail.
Courtesy the artist
Indigenous artists and arts centres from the Kimberley region were invited to help curate this new exhibition, presented as part of the Perth Festival 2019.
Portrait of Ruby Lindsay, published in The drawings of Ruby Lind, 1920.
Often overshadowed by her famous brothers, Ruby Lindsay found ways to challenge the restrictive gender roles of early-20th Century Australia.
Portrait of Caterina Cornaro, Queen of Cyprus, c. 1500, by Gentile Bellini.
One of the most significant woman of Venice’s golden age, Cornaro was an important figure in Renaissance politics, diplomacy and arts.
Anna Breckon and Nat Randall, Rear view 2018 (still),
high definition digital video, multi-channel sound, 85:11 mins
Courtesy of the artists Photo: Andrew Curtis
Through animation, video, light and sound, Theatre is Lying exposes how visual art, performance and theatrical devices can interrogate what is real and what is not.
Detail from Alex Seton’s A Durable Solution? - a series of memorial plaques naming the 12 men who have died under our ‘care’.
Sullivan & Strumpf
Alex Seton's sculpture A Durable Solution? dominates the protest exhibition at the forthcoming ALP national conference. He has also created an official memorial to Australian soldiers killed in Afghanistan
Tokyo design studio nendo responds to the work of M. C. Escher.
There is nothing to prepare us for the shock to the senses in the National Gallery of Victoria's latest exhibition combining the works of M. C. Escher with Japanese design firm nendo.
‘Four uprights, red and black’ [TP62] c1965
polyvinyl acetate and pigment on hardboard
122 x 183 cm
Art Gallery of New South Wales, Sydney, gift of Frank Watters 2018, donated through the Australian Government’s Cultural Gifts Program © The estate of the artist
Forty-five years after his death, the Art Gallery of New South Wales has mounted a major exhibition of Tony Tuckson, focussing on his intensely personal Abstract Expressionist works
Kathleen Petyarre looking across Atnangker country, Northern Territory, December 2000.
Photograph Ian North; courtesy Wakefield Press
Petyarre, who won the Telstra prize for Indigenous art in 1996, has died in Alice Springs.