From Mean Streets to The Exorcist and Badlands, 1973 was a year that showcased the audacious talent in Hollywood that was experimenting with darker themes and new film techniques.
‘Indiana Jones and the Dial of Destiny’ comes out in theatres on June 30. The fifth in a series over 42 years, many of its originating ideas are taken from 19th-century racist archaeology. Will this iteration be different?
(Walt Disney Pictures)
The final Indiana Jones movie is coming out June 30. The fifth in a series over 42 years, many of its ideas are taken from 19th-century orientalist and racist archaeology.
In a rousing speech, one of the “organisers” of the rebellion muses on the lifelong struggle of activists and wades into the debate on the best way to effectively resist.
John Williams’ compositions have an unparalleled reach. He defined the sound of the 20th century.
Martin Sheen in the original Apocalypse Now. A new director’s cut of the film is being released this week – but is this self-indulgence or part of the artistic process?
IMDB
Francis Ford Coppola’s ‘final cut’ of Apocalypse Now hits Australian cinemas this week. He joins a long list of directors who endlessly tinker with their work. But does it add anything to the films?
For the film’s 40th anniversary, director Francis Ford Coppola has unveiled Apocalypse Now: Final Cut.
In the 1960s many Americans may have only known Hinduism through meditation, but the story of this country’s relationship with Hinduism is much longer and more complex.
Mark Hamill as Luke Skywalker in Star Wars: Episode IV – A New Hope.
20th Century Fox
The next Star Wars film, which opens on December 15, will be a prequel to the first one, made in 1977. Just how much Star Wars can the world stomach? And is looking backwards to move forwards such a good idea?
Mark Hamill as Luke Skywalker in Star Wars: Episode IV – A New Hope.
20th Century Fox