Guy Grey-Smith’s painting showcases the insistent rhythms of the indigenous vegetation and the rolling, flowing movements that take our eye meandering across the landscape and back towards the horizon.
Rigor acadêmico, estilo jornalístico
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The best forgers don’t simply create convincing fakes; they go after the preconceived beliefs of the very people who judge a painting’s value and authenticity.
A review of some of the top arts and culture stories from the past year.
Is the National Gallery of Australia’s exhibition of Tom Roberts’ really ‘for all Australians’? A recent national survey finds a racial divide in Australian art appreciation.
The history of the picture title is really a history of the last 300 years.
Formlings are representations of flying termites and their underground nests. They are associated with botantical subjects considered by the San to have great spiritual significance.
Artist Mike Parr’s career might be best described as a series of alarming acts - he’s cut his legs with a scalpel and used his blood as paint. His latest act is erase his work by painting it white.
Islamic art in Australia is inaccessible and largely overlooked. It is rarely taught as a dedicated subject in Australian universities, and almost never seen beyond state capitals. Why?
Nigel Milsom has won the 2015 Archibald Prize for his portrait of barrister Charles Waterstreet. It’s clear the regime of the Archibald Prize is quickly, and positively, shifting.
ST Gill may be the quintessential Australian colonial artist, yet he has never been the subject of a comprehensive retrospective exhibition. At least, not until now.
Sound art is nothing new. But do we really need it to appreciate the classics?
The famous portrait, usually resident in France, is on a rare tour in the US. From looking at it, one might assume its subject had a tranquil, even monotonous, life. But one would be wrong.
How did the bulk of those at home in Britain find out the news of Waterloo?
László Moholy-Nagy used industrial plastics in his paintings. But for decades, the type of plastic had been misidentified.
Now that the painting is probably to disappear from public view, hopefully we won’t remember it in pixellated format.
If you’ve seen recent films like Woman in Gold and Monument Men, you’d think Americans are at the forefront of returning Nazi-looted art. They’re not.
Artist Paul Gauguin is perhaps most famous for his colorful paintings of Tahitian life. But for years, art historians puzzled over his lesser-known prints: how did he form, layer and transfer images from one medium to another?
Over the last nine years, more money has been spent on Picasso than on any other artist. How much does Picasso’s granddaughter stand to earn? And why are some in the art world concerned?
In 1989, I was a conservation student at the Courtauld Institute in London. During a class on varnish removal, my professor, Gerry Hedley, demonstrated how shining blue light on a picture with yellowed…
I was the lead of a team of computer scientists at Rutgers that published a paper this past August titled, “Toward Automated Discovery of Artistic Influence.” In that paper we reported on our research…
Principais colaboradores
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Honorary (Senior Fellow) School of Culture and Communication University of Melbourne. Editor in Chief, Design and Art of Australia Online, The University of Melbourne
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Honorary Professor, Edith Cowan University
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Adjunct Professor of Art History, Australian National University
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Associate Professor in History of Art, University of Nottingham
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Ruth Coulter Heede Professor of Art History, Case Western Reserve University
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Personal Chair of Nineteenth-Century Art, History of Art, The University of Edinburgh
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Professor in Art History, University of Sydney
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Professor, The University of Melbourne
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Honorary fellow of the Grimwade Centre for Cultural Materials Conservation, The University of Melbourne
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Master of Art in Gallery and Museum Management Program Director, Western Colorado University
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Professor of Computer Science and Director of the Art & AI Lab, Rutgers University
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Lecturer in MA Creative Media Practice and BA(Hons) New Media Art, University of the West of Scotland
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Senior Lecturer in Economics, RMIT University
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Professor of Clinical Ophthalmology & Eye Health, Central Clinical School, Save Sight Institute, University of Sydney
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Artist, Curator, Producer, RMIT University
