In this video, Bruce Isaacs looks at Rome, Open City. Made in 1945, it was Roberto Rossellini’s neorealist response to the end of German occupation, and Italy’s history of Fascism under Benito Mussolini.
Back to the Future is one of the most loved films from the 1980s, and galvanised audiences across every demographic. In this episode of Close-Up, Bruce Isaacs looks at the politics underpinning the film.
From witching equality to what we’d see if we looked in a real Mirror of Erised, researchers explore the magic of Fantastic Beasts: The Crimes of Grindelwald.
When it was released in 1999, The Matrix introduced a new type of image: bullet-time. Bruce Isaacs explains why it has become one of the most influential special effects in the history of cinema.
Bruce Isaacs dissects a scene from Darren Aronofsky’s Requiem for a Dream. In this video, Isaacs looks at the director’s unique use of camera technique to create a deeply subjective and intimate sequence.
While Sofia Coppola’s Marie Antoinette may not be faithful to historical events, the film is a rhythmic, impressionistic and comical retelling of the young queen’s life by a sophisticated filmmaker.
Kubrick’s 2001: A Space Odyssey broke all the rules of science fiction cinema, and allowed the audience to experience a uniquely philosophical film about the evolution of human consciousness.
There’s a reason we apologise to our livers after a big night, and it’s not pretty.
Wes Mountain/The Conversation
360-degree cameras are one of several innovative filming technologies being applied for science education at the National University of Singapore.
Bernard Herrmann’s music for the final scene in Psycho fragments and breaks down, echoing the psychotic episode experienced by the character Norman Bates (Anthony Perkins).
Graphics: Emil Jeyaratnam/The Conversation; Image: Still from 'Psycho' (1960)
In this episode of Close-up, Bruce Isaacs contrasts the unsettling musical score from Hitchcock’s Psycho with Howard Shore’s score for Lord of the Rings: Fellowship of the Ring.
In a study on porn, viewers preferred to watch pleasure over aggression on a popular online pornography site.
(Shutterstock)
Many claim that pornography is getting more violent. But a new study shows that porn has become less aggressive over the past decade, and videos in which women enjoy themselves are the most popular.
Still from Lisa Reihana, in Pursuit of Venus infected, 2015–17, ultra HD video, colour, sound, 64mins.
Courtesy the artist and New Zealand at Venice.
Lisa Reihana’s video installation Emissaries combines Indigenous actors and performance techniques to reenact Captain Cook’s encounters across the Pacific.
A visitor arrives to Fira Barcelona congress centre on the third day of the Mobile World Congress.
AAP/Andreu Dalmau