After enduring decades of exploitation at the hands of the French, Haiti somehow ended up paying reparations – to the tune of nearly $30 billion in today’s money.
Exclusive: the recent discovery of probably the oldest known surviving photograph of a Māori sheds light on the remarkable subject of Taika Waititi’s new film project.
Monuments are testaments to how a society wants to remember. Now is the time to ask which monuments can withstand introspection. Artists are opening those conversations – sometimes hilariously.
The statue of slave trader Robert Milligan was removed from outside the London Docklands Musuem.
Emma Tarrant/Shutterstock
There are some moves towards recognising and redressing archaeology’s colonial history.
The 1820 Settler Monument in Makhanda, Eastern Cape, commemmorates the arrival of 5,000 British colonial settlers.
Hoberman Collection/Universal Images Group/Getty Images
Sunanda Creagh, The Conversation; Phoebe Roth, The Conversation, and Sophia Morris, The Conversation
250 years since Captain Cook landed in Australia, it’s time to acknowledge the violence of first encounters
The Conversation, CC BY63 MB(download)
The way Australia has commemorated Cook's arrival has changed over time – from military displays in 1870 to waning interest in Cook in the 1950s, followed by the fever pitch celebrations of 1970.
Feature artwork: Great Spirit and Rainbow Serpent – Jeffrey Samuels (used with permission, no re-use)
Explore Cook’s journey through the Pacific, the orders that brought him in search of the ‘Great Southern Land’ and the impact of his arrival in our new interactive.
Uncle Fred Deeral as little old man in the film The Message, by Zakpage, to be shown at the National Museum of Australia in April. Nik Lachajczak of Zakpage
An honest reckoning with Captain Cook’s legacy won’t heal things overnight. But it’s a start
The Conversation41.4 MB(download)
The impact of 1770 has never eased for Aboriginal people. It was a collision of catastrophic proportions.
A picture titled ‘Captain Cook taking possession of the Australian continent on behalf of the British crown, AD 1770’. Drawn and engraved by Samuel Calvert from an historical painting by Gilfillan in the possession of the Royal Society of Victoria.
Trove/National Library of Australia
Every European ship that voyaged the Pacific was, in the first instance, a floating fortress, an independent command that could send out small shore parties or to concentrate firepower as needed.
An illegal Zimbawean immigrant crosses into South Africa.
EFE-EPA/Kim Ludbrook
Research Fellow at the University of the Free State, South Africa and Assistant Professor in the History of International Relations, Utrecht University
Adjunct Professor, Faculty of Health and Environmental Sciences, Auckland University of Technology, and Professor of Political Science, Charles Sturt University