If the Australian screen industry is to grow into the future and prosper, it cannot ignore the untapped creative talent and leadership potential of women. We need strategies to address this problem.
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As Benedict Cumberbatch prepares to return to 221B Baker Street for a Sherlock Christmas Special, a great, unsolved mystery remains: what is the source of the detective’s enduring appeal?
The Hunger Games movie franchise has ended. What can we learn from Katniss Everdeen about living a just life? This article contains spoilers for The Hunger Games: Mockingjay Part II.
The future of the worlds largest short film festival hangs in the balance. Can Tropfest survive? And, if not, what’s the loss to Australia’s film industry?
We know the ABC is facing tough times, given the decision last year to cut its budget by A$254 million over five years. But how hard are those cuts falling on locally-produced children’s TV?
Spectre is a return to form for the series, and the best of the Daniel Craig films, tying together the legend with a narrative that incorporates and develops the past 50-plus years of Bond.
This Remembrance Day, spend some time with Claire Adams Mackinnon – the silent Hollywood movie star who stole the heart of Melbourne bachelor and lived the last 40 years of her life in Victoria.
The new Australian film Tanna, which won two awards at Venice Film Festival, is as much a tale about romance as it is globalisation.
“What is the point of studying popular films?” As barbaric as it may appear, this is a good question. It forces one to reconsider, and to some extent thereby refresh, one’s perspective on the subje
For every film, specialists are employed for everything from rigging the lights executing the stunts. The announcement of two major new productions coming to Australia will develop that expertise.
For all the speculative commentary as to what the new Star Wars trailer reveals plot-wise, its true “force” is surely located in the various sounds that infuse this perfectly constructed teaser.
In a media ecology defined through “interactive” behaviour – “web 2.0,” the blogging platforms now favoured by news and cultural criticism sites – a new figure has emerged from the digital abyss: the serial commenter.
The Intern is a film ostensibly about gendered and generational role reversal that quickly turns into a treatise about how much even successful young women still have to learn (from old men).
The latest filmmaker to try his hand at Macbeth, Justin Kurzel has delivered a cinematic masterpiece, but shies away from the wicked depths of his villains.
The emptiness that is the product of American bombs rumbles, and from within the cracks of imperialisms, both Western and Eastern, emerges an uncontrollable monster.
The Arab Women Film Festival seeks to deconstruct misunderstandings about women in the Arab world and its diasporas, and provide a more nuanced view of the challenges faced by Arab women today.
I suggest we take a couple of hours tonight to watch (or re-watch) The People Under the Stairs. And then we can relegate Craven, and the film, to the dustbin of history, sticking them under the stairs where they belong.
Medical research can be complex and difficult to understand, but cinematic representations of mad scientists who speak gobbledygook add to the confusion. An annual event separates fact from fiction.
A gesture of desire, sexuality and the erotic, the screen kiss has often been subject to censorship and controversy. But for directors game to bend the rules, the kiss can be a subversive act.
Beginning about 20 years ago, the internet placed almost the entirety of human creation in an unguarded window display and said, in effect, help yourself. But that’s not to say all illegal downloaders are the same.
Top contributors
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Lecturer in Communications and Media, University of Notre Dame Australia
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Associate Professor and Cinema and Screen Studies Discipline Leader, Swinburne University of Technology
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Lecturer in Film Studies, University of Sydney
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Executive Director, Compton School
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Former Honorary Research Associate, School of Media and Communication, RMIT University
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Canada 150 Research Chair in Gender and Cultural Informatics, University of Alberta
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Lecturer in Screen and Cultural Studies, The University of Melbourne
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Dean of Research (Creative), University of South Australia
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Researcher and Sessional Tutor in Screen and Cultural Studies; Secretary for the Melbourne Cinematheque, The University of Melbourne
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Senior Lecturer in Screen Studies, University of South Australia
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Senior Lecturer in English and Cultural Studies, University of Canterbury
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Senior Lecturer, University of the Sunshine Coast
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Paul Eliadis Chair of Classics and Ancient History, The University of Queensland
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Lecturer in 20th and 21st Century Literature, University of Exeter
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Professor of Screen and Design, Deakin University
