The Netflix documentary about the case against Wisconsin man Steven Avery has everyone talking. What can you do if you smell a rat?
Academic rigour, journalistic flair
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Marginalised outsiders, community conflict and a bad reputation – the prosecution of Steven Avery and Brendan Dassey has all the hallmarks of the early modern witchcraft persecution. Warning: spoilers ahead.
Netflix took everyone by surprise when it announced it was tripling its global reach for video on demand. So who are the winners and potential losers in the new deal?
A post-network era looms. What does this mean for the way we watch – and pay for – television shows?
The television industry is gathering massive amounts of information about us to tailor ads to our individual needs.
Teenagers spend more time consuming media than they do sleeping. Most of this consumption is passive - a habit that’s creeping into classrooms, too.
Streaming on-demand services are bringing back classic TV shows in a big way. Is mining our collective nostalgia sacrilegious or just giving audiences what they want?
By avoiding major cineplexes and going straight to Netflix subscribers, the critically acclaimed Beasts of No Nation is wading into some uncharted waters.
The Save Our Voices campaign argues that existing media rules are “squeezing the life out of our regional TV networks”. But the real story is more complex. Reform is necessary, but so too is local content.
Both Netflix’s Narcos and the documentary Cartel Land fall into the trap of sensationalising violence and in doing so horribly simplify the story.
Classical epic can seem particularly alien in the instant gratification culture of Instagram and Twitter, yet there’s a surge of interest in them.
A fractured broadcasting industry is destroying the business model for the giants. There are winners in the wings though, and the BBC could yet be one of them.
The unbundling of content stands to hurt Pay TV providers the most.
Media players are jostling for a piece of the lucrative sports broadcast market, but a lot can happen in two years.
Telstra’s release of an all-in-one streaming service further complicates the television landscape in Australia.
Netflix is winning over Australian audiences en masse, but it’s too early to tell who will win the race for TV viewers.
If you haven’t watched it yet, it’s time to sit up and take note.
With free-to-air, pay TV, catch-up services and video-on-demand, television is changing in Australia, and the viewership metrics are struggling to keep up.
The budget will toughen anti-avoidance measures to crack down on the profit-shifting being undertaken by 30 multinational companies that have been identified by the Taxation Office.
An extraordinary decade of change has ensured there is now no clear blue water around any business sector.
Top contributors
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Senior lecturer in Screen Media, Victoria University
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Professor of Media Studies, Queensland University of Technology
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Professor of Film and Screen Studies, University of Portsmouth
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Senior Lecturer in Writing, Literature and Culture, Deakin University
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Associate Professor, School of Media and Communication, RMIT University
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Senior Lecturer in Screen Studies, University of South Australia
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Lecturer in Communications and Media, University of Notre Dame Australia
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Associate Professor of English, Flinders University
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Senior Lecturer & Research Fellow, Sex, Health and Society, La Trobe University
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Associate Professor, Film Screen & Animation, Queensland University of Technology
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Associate Professor in Cinema Studies, RMIT University
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VC Fellow, La Trobe University
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Senior Lecturer, University of the Sunshine Coast
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Professor in Digital Media and Cutural Studies, Queensland University of Technology
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Senior Lecturer in Media, RMIT University
