Produced by Perth’s wunderkinder ensemble The Last Great Hunt, Whistleblower is about the thrill of the risk when you throw the audience into the spotlight.
Actor Eryn Jean Norvill’s portrayal of all the characters in The Portrait of Dorian Gray triumphantly illustrates Oscar Wilde’s notion of the self as a form of performance.
While the name of the season - now online - suggests breaking through opera’s glass ceiling, the violent imagery fits the context of ecological disaster, inequality, mental illness, and dystopia.
Director Lee Lewis is at the top of her game in this play about family relations, Australia’s treatment of refugees, and the privledge inherent in the audience.
Playwright Jane Harrison’s The Visitors shows audiences how a group of Indigenous leaders might have debated what to do when the First Fleet landed in 1788 - but where are the women?
The world premiere of Nardi Simpson’s Black Drop Effect takes in the complex histories of Aboriginal responses to commemoration, and makes space for protest, cultural reclamation and negotiation.
A new show by indie performer Mish Grigor, with Aphids Theatre, explores all the exit opportunities that are available to us - and some doors that are better left closed.