The Body Electric features ground-breaking photography and video from the 1960s, 70s and 80s, alongside more recent work from Australian and international artists.
The arts and cultural sector was plunged into crisis three months ago and pleaded for help. Now a federal rescue package has been announced – but who is it for and is it enough?
The National Gallery of Australia is facing a 10% reduction in staffing, but will maintain its $16 million acquisitions budget.
Nestled in the heart of Melbourne's city laneways, Leonardo Art Shop - also known as Nibbi's - provided inspiration and education to a generation of young artists.
At a time when surrealists were objectifying women's bodies, American artist Dorothea Tanning was looking deeper at the transformative potential of female experience and the unconscious.
For too long, Cook was a promise recollected in pigment, bronze and stone. Contemporary First Nations artists are challenging this imagery.
COVID-19 is dragging some arts institutions into the 21st century. Others are already well down this path. What we win and lose when culture goes online and a bunch of links you can enjoy today.
The 22nd Biennale of Sydney is testament to the capacity of art and exhibitions to move beyond reflection to lead dialogue, especially at times of crisis and cancellations.
At the National Gallery of Victoria’s summer blockbuster, Keith Haring, Jean-Michel Basquiat: Crossing Lines, Haring's sexuality is obscured.
Why are we so surprised that artists are also demanding changes to the way prizes are awarded?
Hugh Ramsay's Two girls in white, was painted just two years before he died at the age of 28 in 1906. It is the central work in the National Gallery of Australia's survey exhibition.
Guan Wei's art, now on display at Sydney's Museum of Contemporary Art, crosses both Chinese and Australian cultures, working together in harmony, best described as an aspect of feng shui.
Eight artists use textiles to investigate history, self and place in a new exhibition that draws on rich histories, but could use more contextual information in its presentation.
Deeply influenced by Steve Biko and the Black Consciousness Movement, artist David Koloane, who died on 30 June 2019, believed that artists have a right to define their own work.
The annual announcement of the Archibald Prize is one of Sydney’s great spectacles. This year's winning portrait depicts one of Australia's leading artists, Lindy Lee.
Perhaps as a reflection of the current state of national affairs, this year's Archibald Prize exhibition is a politician-free zone.
Some 50 years after his death, a major exhibition at the Art Gallery of New South Wales shows why the work of Marcel Duchamp continues to challenge the very idea of what art may be.
Abdul-Rahman Abdullah's installation Pretty Beach tells a story from the artist's childhood to explore mortality and grief.
A new exhibition charting Alexander Calder's atypical path into the modernist art canon is elegant, dramatic and great fun.
There is a long history of cultural silence on the frontier wars that characterised Australia's colonisation. Peta Clancy's exhibition invites us to see this history in the Victorian landscape.