AP Photo/Laurent Rebours
Shirley Barrett burst onto the international scene when her debut film, Love Serenade won the Caméra d’Or at Cannes Film Festival.
Bunya Productions, Oombarra Productions
A reworking of the 1892 Henry Lawson short story, this film is a subversive survival story.
This gem of a documentary explores the life — and furniture — of a Melbourne icon.
Mushroom Pictures and Pariah Productions
Chopper, with Eric Bana in the title role, detonated on our screens 20 years ago. The film is aggressively self-aware in its provocations but its depiction of domestic violence has not aged well.
The problem isn’t the film’s adherence to a tried and true formula, or its absolutely rudimentary narrative, but the flat and careless execution of it all.
From The Drover’s Wife to a new Wes Anderson to the long-awaited Dune, it will be good to be back in cinemas again.
When David Gulpilil was diagnosed with cancer in 2017, Molly Reynolds began making this affecting documentary.
Wake in Fright premiered at Cannes in 1971 but met with a shocked reaction. It largely fell into obscurity for 40 years, yet is now considered a classic.
Jasin Boland/Warner Bros. Pictures via AP
The Mad Max franchise offers a distinctively Australian take on the action genre. And the fifth film, Furiosa, promises to be yet another extravaganza
The sequel to 2018’s Occupation, this new alien invasion film is overly ambitious, both incomprehensible and shrill.
The Trouble With Being Born/Panama Film
The Trouble With Being Born has been withdrawn from Melbourne International Film Festival – but individual viewers should be able to decide what films they want to see.
Many workers in the film industry are excluded from JobKeeper.
The Nightinggale/Transmission Films
JobKeeper is designed for people with steady jobs. The arts don’t work that way.
State Library Victoria
A series of films made between 1927 and 1952 shone a light on the convict ruins of Port Arthur and helped develop dark tourism in Australia.
Every Cloud Productions
Miss Fisher is one of Australia’s highest-earning small-screen exports. But it’s biggest success has come from how it built a community of fans.
South Australian Film Corporation
Australia has a long history of gothic storytelling in literature and cinema. A new podcast series shows how ordinary life can have an edge of malice.
Through Paul Hogan and Crocodile Dundee we can learn a lot about the enduring myth of the Aussie Bloke.
The mythical Australian bloke is white, straight, and able-bodied – he’s Crocodile Dundee. But where does this legend come from, and what is his future?
Prototype’s first season of experimental films took video art off the gallery wall and placed it in your smart phone.
Prototype is a new 12-part series of Australian video art, designed to bring the genre out of the gallery and onto the smartphone.
Mike Wheeler (Sam Smith) and his taxi driver (Sher Alam Miskeen Ustad) in Jirga.
Jirga has a clear message to the Taliban, Westerners, and other Afghans - even in the horror of warfare you can’t escape moral accountability.
Adaptations are a learned skill – can Australian cinema do it successfully?
The Dressmaker/Universal Pictures
With the success of films like The Dressmaker, book adaptations are giving a much needed boost to the Australian box office. So why are there so few? And why isn’t adaption a compulsory part of screen studies?
David Gulpilil as Jagamarra Jurunba, Mark Weaver as Bellyup, Dougie McCale as George and Cameron Wallaby as Pete in Satellite Boy.
A Satellite Films production Photo by Matt Nettheim SAB
The French capital will light up to the sights and sounds of Cleverman, Samson and Delilah, and The Sapphires.