Time dilation might seem like science fiction, but it’s not. There are astronauts circling the Earth right now who are experiencing it – though luckily nowhere near as much as Buzz Lightyear.
Lesser-known gods are featured in the Marvel series, which has pleased experts and fans alike.
The custodians of one of Hollywood’s most reliable cash machines have been careful to sidestep political minefields that might remind customers of a realm outside the Magic Kingdom.
Florida Republicans’ war on Disney is only the latest example of the GOP’s being at odds with a company that has historically backed the party.
It’s only when the characters learn how to embrace all of their emotions that they can become their true, authentic selves.
The Marvel universe is expanding with new heroes in new films and shows that break new boundaries and tackle new genres.
Critics who are irritated by a lack of an apparent villain in ‘Encanto’ need to take a closer look at the effects of colonial displacement.
Representations of girls on screen have become much better over the years but there is still a vocal audience who would rather they be tame and demure.
Over 300 companies so far have closed stores, reassigned staff or halted sales in Russia in the two weeks since the invasion began.
Imagining new kinds of places to live is an American tradition.
The latest Disney-Pixar film has been seen as containing queer themes, but what is the animation studio trying to achieve?
Like Joker, this adaptation seeks to humanise a famous villain. But is this revisionism or a new story altogether?
The condition challenges the centuries-old idea that all great artists are able to envision what they’re drawing.
The Marvel Cinematic Universe is becoming increasingly diverse, on and off screen. The franchise’s continued success depends on remaining culturally relevant.
‘WandaVision’ reimagines stories from Egyptian and Greek mythology, as well as Buddhist tradition.
Today’s stories embrace the monster — and explain how she was created.
ACMI’s first feature exhibition since its redevelopment shows fans the complex artistry behind their childhood favourites.
Released in 2001, it was the first film to really give Pixar a run for its money.
An Italian media scholar raised on American TV assesses Netflix’s ambitious strategy to create original productions in Italy, Japan, Brazil and beyond – and distribute them globally.
What the closure of Blue Sky studios means for the future of cartoons