Brenda L. Croft.
shut/mouth/scream (detail) 2016
Courtesy of the artist and Stills Gallery
The National Gallery of Australia's Third National Indigenous Art Triennial presents a passionate well-considered argument for an enduring Aboriginal culture.
A fruit cart depicting a ‘picanniny’ child: such figures were popular at a time when Aboriginal children were being removed from their families.
What are we to make of 'Aboriginalia': bric-a-brac, tiles, ornaments and artworks - once hugely popular - depicting caricatures of Indigenous people? What if they are collected now in a knowing, ironic way?
Policies and services designed to protect Aboriginal children’s cultural connections are not being properly implemented.
AAP Image/Dan Peled
New reports show a widespread lack of care for the cultural needs of many of the 19,000 Aboriginal and Torres Strait Islander children in child protection and out-of-home care.