We’re used to describing feminism in ‘waves’, from the first in 1848, campaigning for women to vote, to the current fourth wave, in the age of #metoo. But do waves still work to describe feminism?
In his 1972 novel The Stepford Wives, Ira Levin powerfully dramatised women’s suburban alienation and men’s resistance to feminist change. Michelle Arrow traces its enduring influence.
The women’s magazine formula runs deep in many online publications branded as ‘feminist’. While the personal was once deemed political, the emphasis now is on adapting to the status quo - not changing it.