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Our report is the first in-depth research into the experiences of and attitudes towards disabled people in the Australian screen industry.
When the World Turns by Polyglot Theatre and Oily Cart.
Photographer: Theresa Harrison
A collaboration between Polyglot Theatre and the UK’s Oily Cart puts an inclusive, child-led approach at its heart.
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Rather than presenting a disability as an obstacle, life writing can explore the joys, frustrations and creativity of living with disability or Deafness.
Erin Ball performs at Cripping the Arts at Harbourfront Centre in Toronto, in January 2019. She balances with her hands on the arms of an old wheelchair. Behind her, two long pegs extend from her prosthetic legs.
(Michelle Peek Photography for ReVision)
Rustle your program without getting a glare at a relaxed performance — an art form in synch with the growing field of disability arts.
Artists at work.
Studio A.
In a Sydney community centre, a group of artists with and without disabilities are showing how creativity can connect us all.
The Shadow Whose Prey The Hunter Becomes turns the questions back on its audience: why are you sitting in this theatre? What do you hope will happen?
Zan Wimberley/Back to Back Theatre
Bryoni Trezise considers questions at the core of Back To Back Theatre’s new work: why are we sitting in this theatre? What do we hope will happen? And who, really, are we?