‘Tár’ shines a spotlight on the challenges of working in the ultraconservative world of classical music, including complex social issues such as misogyny, racism and homophobia.
Until Black women can wear their hair how they want without risk of ridicule, reprimand or termination, a joke targeting Black hair is no laughing matter.
In this special edition of ‘Don’t Call Me Resilient,’ we chat about how “the slap heard around the world” is part of a layered story of racism, sexism, power and performance.
It’s refreshing to see disabled actors in disabled roles, but can’t the academy acknowledge films that highlight disability without falling into stereotypical representations?
There are not many strong contenders for Best Picture at this year’s Academy Awards. Our expert picks his winner and names a couple of blockbusters that didn’t make the grade.
A tide of ‘the feels’ buoyed the underdog documentary to an Oscar win – but the local industry will need to focus on where international gains are most needed.
Second-generation storytellers are being candid about challenges and benefits of creative careers in the face of family hopes or fears, or societal resistance to hearing marginalized narratives.
Soo Yong’s career, particularly when contrasted with Anna May Wong’s, shows how Hollywood and Chinese popular culture aimed to depict Chinese women amid shifting Chinese-American relationships.
Relying on familiar stereotypes and images can make us miss this critical opportunity to reshape the ways in which Asian women are viewed as individuals and artists.
There are signs that home movie viewing could meet a resurgence of local movie-going that draws on entertainment conventions that preceded Hollywood’s rise.
The first woman ever nominated for a Best Director Award - more than 40 years ago - Lina Wertmüller has just been honoured by the academy. She is known for her hilariously irreverent films.