The Appalachia of the West’s gritty landscape is an ideal setting for the popular series’ second season.
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Success as a screenwriter takes as much tenacity as talent.
Community TV in Australia is under threat because of plans to hand over extra broadcast spectrum to the commercial networks. But they don’t even need that spectrum to test any new technologies.
There’s much more to the naked male bodies of these programmes than the simple titillation that meets the eye.
Nordic Noir fans are currently indulging in a prolonged festival of Scandinavian culture. The SBS and the ABC are both broadcasting Wallander, the Swedish and British television series based on crime novelist…
With free-to-air, pay TV, catch-up services and video-on-demand, television is changing in Australia, and the viewership metrics are struggling to keep up.
How do those who watch low-brow television shows rationalize their behavior? We found out.
There may be only one way to tell the truth, but there are at least five ways to “lie.” And our politicians seem to be the master of this art. A scholar decides to teach this to his students.
Right now, do we need light jokes about slightly potty old Blighty?
When Miranda Tapsell called for more diversity in Australian television in her Logies speech, she hit the nail on the head. It’s time for Australian producers to take colour-blind casting seriously.
The producers of this series are doing what public service media are tasked to do – making the marginal visible, including the excluded, putting poverty on the public agenda.
Fictional politicians may have spoilt the party for the real ones – they’re much more charismatic, dramatic and funny. What would happen if seven of the best competed?
The more privileged of us swear, fart and take drugs, just like the less privileged portrayed in the SBS show Struggle Street. But they don’t have exploitive documentaries being made about them.
W1A has got funnier but the bad news is that the better W1A gets, the worse the BBC looks.
With four episodes leaked before the launch of the current Game of Thrones season, illegal downloaders face a quandary: binge now, or hang on and enjoy the weekly water-cooler chats at work.
Narrative power is produced through sophisticated storytelling, as evidenced by Breaking Bad, House of Cards, The Wire, Mad Men and many others.
The new season of Game of Thrones signals entertainment companies are getting used to the idea that piracy comes with success. The trick is to loosen fans’ wallets a little down the line.
There’s little in the way of sex and combat, but season five promises a lot…
The legendary commentator perfectly understood the rhythms of cricket.
Cultural and media scholars over the past 20 years have tended to avoid discrimination between the bad, the good and the better. The new season of Game of Thrones starts this weekend – and it’s simply better than the rest.
Principais colaboradores
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Senior lecturer in Screen Media, Victoria University
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Professor of Media Studies, Queensland University of Technology
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Associate Professor and Cinema and Screen Studies Discipline Leader, Swinburne University of Technology
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Senior Lecturer in Communication, University of Technology Sydney
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Former Honorary Research Associate, School of Media and Communication, RMIT University
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Senior Lecturer, School of Media, Film and Journalism, Monash University
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Research Fellow, Media & Communications, RMIT University
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Senior Lecturer (Media Studies and Production), University of Southern Queensland
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Associate Professor of Sociology, University of Texas at Arlington
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Professor of Political History, University of Nottingham
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Senior Lecturer in Sport Management, Deakin University
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Senior Lecturer in English Literature, Charles Sturt University
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Lecturer in Journalism, University of Technology Sydney
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Emeritus Professor of Cultural Research, Institute for Culture and Society, Western Sydney University
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Professor & Dean, School of Media and Communication, RMIT University
