The Oscar-winning film sketches out the broad themes of Berluconist hedonism, all against the backdrop of the decline of ideologies that shaped 20th-century Italy.
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In this 1970 Italian classic, director Bernardo Bertolucci uses the camera frame to throw the audience off-kilter again and again.
The composer of over 500 film scores, Morricone was embraced by Hollywood — but he was always an Italian composer.
The movie that won the first Oscar for Best Foreign Language Film has just been re-released and presents a challenging vision of gender relations.
The mondo film, for all its faults, encapsulates our tangled responses to the darkest moments of our collective history.
Kontributor teratas
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Associate Professor, Film Studies, University of Sydney
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Associate professor, University of Bradford
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Associate Professor of Italian Studies and Film, University of Exeter
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Senior Lecturer in Music and Sound Design, University of Technology Sydney
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enseignant-chercheur en Etudes Italiennes (poésie, prose et cinéma de l'Italie - XIX-XXème s.), Université Savoie Mont Blanc
