Cambodia found the strength to rebuild itself
through art after the 1979 genocide. While the context is different, this example suggests the importance of art in navigating COVID-19.
Digital artwork has helped campaigns such as the #ClimateStrikeOnline thrive on social media. Through three examples, I explore why digital arts can sustain political engagement amid the pandemic.
Anti-black violence exists against the backdrop of the political and cultural dehumanization of Black people. How did this happen and where do we go from here?
In an industry beset by appropriation, the licensing of an Indigenous artwork for use in a tattoo is a rare sign of respect for the intellectual property rights of artists.
We want to be whitelisted and not blacklisted for jobs. White lies make stretching the truth okay, but you don’t want to receive a black mark on your record.
Washington, DC Mayor Muriel Bowser ordered ‘BLACK LIVES MATTER’ to be painted on a street near the White House. The act would have been considered vandalism had it not been done by city workers.
In a system that treats people as objects to be counted, chained, searched and assigned a number, art is a way for prisoners to reassert their agency – and reclaim their lives.
During COVID-19, boarded-up storefronts host various new types of inspirational, informational and decorative murals that should be read critically as representing political agendas for the future.
Honorary (Senior Fellow) School of Culture and Communication University of Melbourne. Editor in Chief, Design and Art of Australia Online, The University of Melbourne