Season Finales and Farewelling the Good Doctor

House (2004-2012)

I don’t like people leaving my life. By ‘don’t like’ I mean hate.

This situation is based on a variety of personality quirks, notably rampant sentimentality and a distaste for change.

For a normal person, such an affliction would stop at flesh-and-blood folks; departing lovers, say, or friends. Not me though. No, I mourn fictitious people too. Such is my capacity for anguish.

The academic in me rationalises that John Hurt gets away with such infatuations in Love and Death on Long Island. Charmingly so. If it’s good enough for John…

Love and Death on Long Island (1997)

So it was my loathing of losing people – losing characters – that had me postponing the last episode of House. Much like books I don’t want to finish, or songs I don’t want to end, apparently my delusion was that in delaying my viewing I could stall the end.

I’m yet to decide whether my preoccupation with the Good Doctor is because I – arrogantly, granted – see him as an embodiment of my very best and worst manias and fetishes, alternatively, because he’s the gorgeously screwy man I always fall for. Either way, he is my favourite TV character.

Was my favourite character.

I’d been crying throughout episodes 1 through 21. My sketchy assumption for the finale was me in the foetal position burning effigies of everyone who didn’t sign a new season contract.

Strangely though, I was completely dry-eyed. At least for the first 37 minutes. Dry-eyed, bored and a bit angry: where was my spectacularly heart-wrenching finale? Where were my doubled-over sobs? Where was my agony, dammit?

And then, almost abruptly at the 38th minute, it got good. It got moving and – watching on my iPad in a café – I quickly became a spectacle. By the time the Warren Zevon track came on I hastily made my exit.

(Interestingly – and in line with television’s spectacular use of music to manipulate – the very same Zevon song was used to equally weepy affect in Californication).

Californication – RIP Lew Ashby

During those first 37 doubtful-looking minutes, I was forced me to ask some very serious TVLand questions. Could any farewell do the Doctor justice? Was it inevitable that the episode would be a victim of the impossibility of a good series ending?

On one hand, there probably couldn’t have been any “good death” with House: the show hadn’t jumped any sharks, House was still delectably screwed up and I most certainly could have gone another season.

More than this, however, I think there’s an inherent problem with season finales in that they get judged in ways that no other single episodes ever are. Viewer expectations are simply too high.

A final episode is expected to encapsulate everything we loved about a series. How is this possible?

There’ll be some viewers who want answers; they’ll want the doorbell fixed as in the final episode of The Cosby Show, or – as in Boston Legal – they’ll want the delicious chemistry to culminate in marriage. (Compulsory heterosexuality or not).

Boston Legal “What do you say? We take our relationship to the next level”

I don’t fall into this camp. I love loose ends and ambiguity. Not in my private life – never in my private life – but on screen I’m delighted when I’m trusted to decide what happens. The season finale of The Sopranos goosebumpily worked for me: the screen went blank and I was left to decide what happened. Perfect.

The Sopranos – final scene

Then there’ll be those viewers who want the promise of future; who’ll hope that the characters go on in perpetuity and, perhaps one day, reunite for a cringe-worthy reunion episode. I fall into this camp. If I can’t have them on my screen forever, at least I can have them in my head. Heart.

After dealing with my loss, after over-thinking the final House a little too much, I’m committed to the idea that it had one thing in its favour. One lesson for future series finales. It ended with what was important.

The show was always the Holmes/Watson House/Wilson affair. Even after those first 37 minutes vomited out a stupid procession of distracting cameos and even at that point where it looked dangerously like treading the hallucinatory – and dreadful – Roseanne finale terrain, it returned to the central platonic love affair.

No, it wasn’t perfect – rarely do TV finales get this honour – but it stayed true. And true is good enough for me.

Join the conversation

25 Comments sorted by

  1. Dale Bloom

    Laboratory Analyst

    There are no snide anti-feminist comments for me to make. Lauren, what have you done!

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    1. Dale Bloom

      Analyst

      In reply to Lauren Rosewarne

      "There are no snide anti-feminist comments for me to make. Lauren, what have you done! "

      That was actually Femboy Pup, who is an identity thief and possible website hacker, and attempts to impersonate Dale Bloom.

      It appears some feminist has let loose the Dogs from Hell, but all we got was Femboy Pup.

      I would recommend a withdrawal from watching TV. This may cause various symptoms at first, such as your body becomes racked by convulsions, and you may start hallucinating, and find yourself…

      Read more
    2. Mal Adapted

      Primate

      In reply to Dale Bloom

      I recommend that you sit at home. Alone. Like me. With only my keyboard and my spite for company.

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    3. Dale Bloom

      Analyst

      In reply to Mal Adapted

      Femboy Pup has lots of time, impersonating others, carrying out identity theft, hacking into computers and reading feminist instruction manuals.

      You don’t know how disappointing it was for the men, Femboy Pup. There they were, with sharpened spears and swords, ready for the Dogs from Hell to come rushing out, with eyes aflame and teeth gnashing. Instead, out trots Femboy Pup, with a fat belly and limp paws, wanting to be cuddled, and given a bowl of warm milk.

      Some of the men were so disappointed they simply turned around and walked to the pub.

      But early start today, and late getting home, and I guess watching TV is for those who have nothing better to do.

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    4. Mal Adapted

      Primate

      In reply to Dale Bloom

      I suppose that no-one, including myself, has any idea what that means.

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    5. Dale Bloom

      Analyst

      In reply to Mal Adapted

      Well Femboy Pup, it seems the Dogs from Hell have now complained to Feminism Incorporated that you have been sleeping in late, you keep tripping over your feet and chasing your tail, and generally making all the other dogs look bad.

      It appears no one wants a feminist, not even the Dogs from Hell.

      But I will make it easier for you. I have changed the wording of my occupation, and you will probably change the wording of your occupation to match as you normally do, and early tomorrow morning I will change it again.

      So all you have to do is wake up early to change the wording of your occupation to match mine again. It is simple enough, and even you could do it.

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    6. Mal Adapted

      Primate

      In reply to Dale Bloom

      Well, time for me to go and read some more on female contraception, my field of expertise.

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  2. Peter Ormonde

    Peter Ormonde is a Friend of The Conversation.

    Farmer

    This is just too sad Ms R. To bond so intimately with a set of scripted characters only to have them torn out of our lives by the very roots.

    Perhaps we should be demanding that squadrons of grief and trauma counsellors be made available when our most beloved sit-coms bite the dust. Or you could get cable TV and watch endless re-runs and encores. I actually managed to catch McHales Navy one night. Talk about sobbing. Had all the atmosphere of a seance.

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  3. Tracy Heiss

    logged in via Facebook

    I can relate. I just watched the last episode of Big Love last night. I'm lost! And my new series hasn't arrived yet to fill this gaping hole. I might even have to read a book, or do some WORK while I'm waiting! :). I confess I've developed a habit (nay; addiction) of watching series while I work away. So far, Six Feet Under, Sons of Anarchy, 24, The Shield, The Tudors...to come; Oz, Breakig Bad, Dexter. Heaven help me...

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    1. Misha Ketchell

      Managing Editor at The Conversation

      In reply to Tracy Heiss

      Try also Game of Thrones. It's amazing (and I hate all that knights and dragons palaver).

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    2. Tracy Heiss

      logged in via Facebook

      In reply to Lauren Rosewarne

      Yes...wise move. But HOW COULD YOU STAND IT?? I won't reveal that...and so-n-so did...and 9u45854toeg03- .and even Marjean said 848856566. :)

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    3. Lauren Rosewarne

      Senior Lecturer at University of Melbourne

      In reply to Tracy Heiss

      Well, I'm going to have to deal with the finales of Breaking Bad and The Closer shortly too so I know that I really have to carefully pace my suffering. And to strategically cue up other material to watch to give me a new batch of characters to fall for :)

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    4. Dale Bloom

      Analyst

      In reply to Tracy Heiss

      Now this is interesting. Back here some academics were claiming they were working 60-70 hours per week.

      https://theconversation.edu.au/cracks-in-the-ivory-tower-is-academias-culture-sustainable-8294

      Now anyone working 60-70 hours per week would know there is very little or no time left for watching TV.

      So I can’t see how academics have anytime for watching TV, or basically they were making up a story about working 60-70 hours per week..

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    5. Mal Adapted

      Primate

      In reply to Dale Bloom

      Oh I get it now. They may work before the show starts, stop for the show and resume working after the show ends- on marking, reading, writing whatever. I see how that could work.

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  4. Michael Donniger

    logged in via Facebook

    I take some consolation in knowing that Silk Season 3 is on its way and that I get to spend more time with Martha Costello QC.

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    1. Peter Ormonde

      Peter Ormonde is a Friend of The Conversation.

      Farmer

      In reply to Lauren Rosewarne

      If you like the pomp and circumstamce of English law, there's also a rather interesting series that just started somewhere late at night called Garrow's Law.

      Set in the late 1700s it follows the career of an upstart reforming barrister (Garrow) and also stars that salty old character actor Alun Armstrong (the bike riding obsessive from New Tricks).

      The interesting thing about this show - at least to me - is that it is deeply authentic, showing the absurd rules and restrictions imposed on…

      Read more