One of the greatest artists ever to emerge from Cameroon had a fraught relationship with his homeland – but because of it touched all corners of Africa and the world.
There is a thriving counter-current of transnational African literary life that confounds rather than caters to an international taste for “digestible” fiction.
Its critics complain that current Afrodiasporic literature is not in tune with everyday life on the continent. They see its versions of Africa as sanitised and Westernised.